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Screening room with Robert Gardner. / Emile de Antonio

Author: Emile De AntonioEdmund CarpenterRobert GardnerWCVB-TV (Television station : Boston, Mass.)Studio 7 Arts (Firm)All authors
Publisher: [Cambridge, Mass.] : Studio 7 Arts ; [Watertown, Mass.] : Distributed by Documentary Educational Resources, ©2007.
Series: Screening room DVD series.
Edition/Format:   DVD video : NTSC color broadcast system : English
Database:WorldCat
Summary:
Along with visual anthropologist Edmund Carpenter, Emile de Antonio appeared on Screening Room in 1973 to screen and discuss excerpts from his films Point of order, Rush to judgement, In the year of the pig and Millhouse: a white comedy. Emile de Antonio (1919-1989) was one of America's most influential political and avant-garde filmmakers, who started by making documentary films in the mid-1950s. His  Read more...
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Details

Genre/Form: Television talk shows
Interviews
Named Person: Emile De Antonio
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Emile De Antonio; Edmund Carpenter; Robert Gardner; WCVB-TV (Television station : Boston, Mass.); Studio 7 Arts (Firm); Documentary Educational Resources (Firm)
OCLC Number: 190665159
Notes: Title from label.
Program transferred to DVD with no production credit information.
Originally broadcast in June 1973.
Performer(s): Interviewers, Robert Gardner, Edmund Carpenter.
Description: 1 videodisc (79 min.) : sd., col. with b&w sequences ; 4 3/4 in.
Details: DVD-R; NTSC; stereo.
Series Title: Screening room DVD series.
Other Titles: Screening room (Television program)
Emile de Antonio
Responsibility: [WCVB-TV].

Abstract:

Along with visual anthropologist Edmund Carpenter, Emile de Antonio appeared on Screening Room in 1973 to screen and discuss excerpts from his films Point of order, Rush to judgement, In the year of the pig and Millhouse: a white comedy. Emile de Antonio (1919-1989) was one of America's most influential political and avant-garde filmmakers, who started by making documentary films in the mid-1950s. His often-controversial work focuses on the United States during the Cold War and sharply criticizes American institutions and government officials. Films on Joseph McCarthy, Richard Nixon, and the conduct of the Vietnam War led to de Antonio's becoming the object of FBI surveillance. De Antonio was also involved with the New York art world of the 1960s, which he documented in Painters painting.

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