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Screening Schillebeeckx : theology and third cinema in dialogue

Auteur : Antonio D Sison
Éditeur : New York : Palgrave Macmillan, 2006.
Édition/format :   Livre : Anglais : 1st edVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"An exploration of the creative crossings between the liberative stream of Edward Schillebeeckx's eschatological perspective and Third Cinema, Antonio D. Sison's work is interdisciplinary and innovative. Examining a variety of films - from independents such as Perfumed Nightmare and Xala to the Oscar-nominated Hotel Rwanda and Motorcycle Diaries - Sision builds an intertextual and intercultural dialogue between one  Lire la suite...
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Détails

Personne nommée : Edward Schillebeeckx; Edward Schillebeeckx; Edward Schillebeeckx
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Antonio D Sison
ISBN : 1403975167 9781403975164
Numéro OCLC : 65302511
Description : xii, 231 p. : ill. ; 22 cm.
Contenu : pt. I. Cinematic principle: 1. The concept of the Third Cinema --
2. Exploring national dimensions of third cinema --
3. Films from a virtual geography of third cinema --
pt. II. Theological principle : 4. Political holiness : the eschatological perspective of Schillebeeckx --
pt. III. The crystallization of political holiness in third cinema --
Conclusion : the new stained glass winsdow.
Responsabilité : Antonio D. Sison ; foreword by Robert J. Schreiter.
Plus d’informations :

Résumé :

"An exploration of the creative crossings between the liberative stream of Edward Schillebeeckx's eschatological perspective and Third Cinema, Antonio D. Sison's work is interdisciplinary and innovative. Examining a variety of films - from independents such as Perfumed Nightmare and Xala to the Oscar-nominated Hotel Rwanda and Motorcycle Diaries - Sision builds an intertextual and intercultural dialogue between one of the greatest western theologians of our time and a cinema that has become all the more relevant in the light of global, sociopolitical struggles. Sison argues for the primacy of cinematic style as the locus for a theological interpretation of film over the prevailing practice of extracting the religious dimension from film's more thematic, literary basis."--BOOK JACKET.

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Données liées


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