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Screening Schillebeeckx : theology and third cinema in dialogue

Autor: Antonio D Sison
Editora: New York : Palgrave Macmillan, 2006.
Edição/Formato   Print book : Inglês : 1st edVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"An exploration of the creative crossings between the liberative stream of Edward Schillebeeckx's eschatological perspective and Third Cinema, Antonio D. Sison's work is interdisciplinary and innovative. Examining a variety of films - from independents such as Perfumed Nightmare and Xala to the Oscar-nominated Hotel Rwanda and Motorcycle Diaries - Sision builds an intertextual and intercultural dialogue between one  Ler mais...
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Detalhes

Pessoa Denominada: Edward Schillebeeckx; Edward Schillebeeckx; Edward Schillebeeckx
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Antonio D Sison
ISBN: 1403975167 9781403975164
Número OCLC: 65302511
Descrição: xii, 231 pages : illustrations ; 22 cm
Conteúdos: pt. I. Cinematic principle: 1. The concept of the Third Cinema --
2. Exploring national dimensions of third cinema --
3. Films from a virtual geography of third cinema --
pt. II. Theological principle : 4. Political holiness : the eschatological perspective of Schillebeeckx --
pt. III. The crystallization of political holiness in third cinema --
Conclusion : the new stained glass winsdow.
Responsabilidade: Antonio D. Sison ; foreword by Robert J. Schreiter.
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Resumo:

"An exploration of the creative crossings between the liberative stream of Edward Schillebeeckx's eschatological perspective and Third Cinema, Antonio D. Sison's work is interdisciplinary and innovative. Examining a variety of films - from independents such as Perfumed Nightmare and Xala to the Oscar-nominated Hotel Rwanda and Motorcycle Diaries - Sision builds an intertextual and intercultural dialogue between one of the greatest western theologians of our time and a cinema that has become all the more relevant in the light of global, sociopolitical struggles. Sison argues for the primacy of cinematic style as the locus for a theological interpretation of film over the prevailing practice of extracting the religious dimension from film's more thematic, literary basis."--Jacket.

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