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The scriptural cantatas Esther and Jacob, et Rachel of Elisabeth-Claude Jacuet de la Guerre : historical context and performance practice

Author: Elizabeth M Buckley; Elisabeth-Claude Jacquet de La Guerre
Publisher: 2009.
Dissertation: D.M.A. University of Illinois at Urbana-Champaign 2009
Edition/Format:   Thesis/dissertation : Thesis/dissertation : Biography : Manuscript   Archival Material : EnglishView all editions and formats
Database:WorldCat
Summary:
This project explores two sacred cantatas of Élisabeth-Claude Jacquet de La Guerre, Esther and Jacob, et Rachel. The cultural milieu in which the sacred cantatas of Jacquet de La Guerre were written and performed will be discussed, as well as possible venues for their original performances, including the Parisian salon, and the Royale Maison de Saint-Louis à Saint-Cyr, an adjunct institution of the French Royal  Read more...
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Named Person: Elisabeth-Claude Jacquet de La Guerre; Elisabeth-Claude Jacquet de La Guerre; Elisabeth-Claude Jacquet de La Guerre; Esther, Queen of Persia.; Jacob, (Biblical patriarch); Rachel, (Biblical matriarch)
Material Type: Biography, Thesis/dissertation, Manuscript, Internet resource
Document Type: Book, Archival Material, Internet Resource
All Authors / Contributors: Elizabeth M Buckley; Elisabeth-Claude Jacquet de La Guerre
OCLC Number: 654479872
In: Dissertation Abstracts International
Notes: Printout.
Includes abstract.
Vita.
Adviser: Charlotte Mattax Moersch.
Source: Dissertation Abstracts International, Volume: 71-01, Section: A.
Publication number AAT 3391891.
ProQuest document ID: 1951883161.
Description: vi, 109 leaves, bound : illustrations, music ; 28 cm
Responsibility: Elizabeth M. Buckley.
More information:

Abstract:

This project explores two sacred cantatas of Élisabeth-Claude Jacquet de La Guerre, Esther and Jacob, et Rachel. The cultural milieu in which the sacred cantatas of Jacquet de La Guerre were written and performed will be discussed, as well as possible venues for their original performances, including the Parisian salon, and the Royale Maison de Saint-Louis à Saint-Cyr, an adjunct institution of the French Royal Court. An understanding of the historical context of these works will serve as a backdrop to a discussion of French performance practices, including aspects of meter and tempo, notes inégales, ornamentation, vocal vibrato, pronunciation, vocal and instrumental scoring, realization of basse continue, pitch, temperament, and tuning.

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