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Sculptures : Africa, Asia, Oceania, Americas.

저자: Jacques Kerchache; Musée du quai Branly.; Réunion des musées nationaux (France); Musée du Louvre. Pavillon des sessions.
출판사: Paris : Réunion des musées nationaux : Musée du quai Branly, ©2001.
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"The event is both historic and symbolic: a selection of some 120 masterpieces of African, Asian, Oceanic and American art is now on display at the Louvre. These outstanding pieces of sculpture come, in the main, from the Musee de l'Homme, the Musee National des Arts d'Afrique et d'Oceanie and several other French national or local museums. In addition, however, a number of important foreign museums have agreed to  더 읽기…
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장르/형태: Exhibition catalogs
Exhibitions
Expositions
추가적인 물리적 형식: Online version:
Sculptures. English.
Sculptures.
Paris : Réunion des musées nationaux : Musée du quai Branly, ©2001
(OCoLC)606819939
문서 형식:
모든 저자 / 참여자: Jacques Kerchache; Musée du quai Branly.; Réunion des musées nationaux (France); Musée du Louvre. Pavillon des sessions.
ISBN: 2711842347 9782711842346
OCLC 번호: 48896020
메모: Exhibition catalog.
Scientific editor of catalog: Jacques Kerchache.
At head of title: Musée du Louvre, Pavillon des sessions.
설명: 477 pages : illustrations (chiefly color), maps ; 31 cm
내용: Seeing the work of art / Jacques Kerchache --
Objects from the Americas, reflections of the New World / Pascal Mongne --
North American objects in French collections / Marie Mauzé --Art from the Pacific in French public collections / Sylviane Jacquemin --The classics of African sculpture in the Louvre / Jean-Louis Paudrat --
Notice to the reader --
Catalogue. Africa ; Asia ; Oceania ; Americas --
Maps --
Exhibitions.
다른 제목 Sculptures.

초록:

"The event is both historic and symbolic: a selection of some 120 masterpieces of African, Asian, Oceanic and American art is now on display at the Louvre. These outstanding pieces of sculpture come, in the main, from the Musee de l'Homme, the Musee National des Arts d'Afrique et d'Oceanie and several other French national or local museums. In addition, however, a number of important foreign museums have agreed to lend key works, some of which have never been seen outside their country of origin. Furthermore, this presentation represents the first opportunity to see some of the remarkable acquisitions with which French museums recently consolidated their own holdings. Pending the opening of the Musee du Quai Branly in 2004, this Pavillon des Sessions display represents the first step towards realising the ambition stated by the President of the Republic: namely to endow France with a modern institution dedicated to the arts and civilisations of Africa, Asia, the Pacific Islands and the Americas."--Jacket.

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