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Searching for art's new publics

作者: Jeni Walwin
出版商: Bristol, UK ; Chicago : Intellect, 2010.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Drawing on contributions from practising artists, writers, curators and academics, Searching for art's new publics explores the ways in which artists seek to involve, create and engage with new and diverse audiences, remarking on the fine line between the experience of being inside or outside the work."--Page 4 of cover.
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文件類型: 圖書
所有的作者/貢獻者: Jeni Walwin
ISBN: 9781841503110 1841503118
OCLC系統控制編碼: 457149149
描述: 224 pages : illustrations (chiefly color) ; 23 cm
内容: Preface / Tammy Bedford --
Introduction / Jeni Walwin --
Keynote essay. Don't look now! Art after the viewer and beyond participation / Dave Beech --
The anatomy of a participatory project / Sally O'Reilly --
Interview with artist Chris Evans / Will Bradley --
Case study one : Adam Dant's Operation owl club / Helen Sumpter --
Who speaks? Who listens? Het reservaat and Critical friends / Sophie Hope --
Tell me your story : an interview with artist Harrell Fletcher / Marisa Sánchez --
Open sounds : on the track of the dissolving audience / David Briers --
Eagles ar the best : Juneau Projects in conversation / Ben Sadler and Phil Duckworth --
Case study two : Melanie Pappenheim in reading / Helen Sumpter --
Headless in Hirschhorn's classroom / Jonathan Lahey Dronsfield --
LINKED / Graeme Miller --
London Fieldworks : Polaria and Little Earth / Bruce Gilchrist and Jo Joelson --
A fair event : considering an action by Nina Beier / Vincent Honoré --
Case study three : Gilliam Wearing --
Family history / Helen Sumpter --
An audience with --
/ Adam Sutherland --
Bata-ville : we are not afraid of the future / Nina Pope with contributions from Mike Ostler --
Co-productive exhibition-making / Paul O'Neill.
責任: edited by Jeni Walwin.

摘要:

"Drawing on contributions from practising artists, writers, curators and academics, Searching for art's new publics explores the ways in which artists seek to involve, create and engage with new and diverse audiences, remarking on the fine line between the experience of being inside or outside the work."--Page 4 of cover.

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