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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/490463901 Title: SEDUCTION ET DIALOGUES DANS L'OEUVRE DE CREBILLON FILS Author: Geneviève Salvan; Georges Molinié Publisher: [S.l.] : [s.n.], 1998. OCLC:490463901

  
  

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Subjects

• CREBILLON, CLAUDE PROSPER JOYOT DE (1707-1777)/THEMES, MOTIFS.
• Séduction -- Dans la littérature.
• ROMAN FRANCAIS/8E SIECLE.
• View all subjects

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SEDUCTION ET DIALOGUES DANS L'OEUVRE DE CREBILLON FILS

Author:	Geneviève Salvan; Georges Molinié
Publisher:	[S.l.] : [s.n.], 1998.
Dissertation:	Thèse de doctorat : LITTERATURE FRANCAISE : Paris 4 : 1998.
Edition/Format:	Thesis/dissertation : Thesis/dissertation : FrenchView all editions and formats
Summary:	CE TRAVAIL A POUR BUT D'ETUDIER L'OEUVRE DE CREBILLON FILS DU POINT DE VUE DE LA SEDUCTION, LARGEMENT THEMATISEE DANS LA MATIERE ROMANESQUE. LA SEDUCTION EST DEFINIE A LA FOIS COMME UN MODE DE RELATIONS HUMAINES DANS LE 'MONDE' ET COMME UNE PRATIQUE SOCIALE, RITUALISEE MAIS TOUJOURS 'A JOUER', DONT L'ULTIME SPECTATEUR EST LE 'PUBLIC'. DANS LES ROMANS CREBILLONIENS, LA SEDUCTION EST LIEE A LA PAROLE ET EST POUR UNE GRANDE PART MISE EN SCENE DANS DES DIALOGUES. LE DIALOGUE, UNITE TEXTUELLE ET CADRE LINGUISTIQUE DE LA SEDUCTION, DEVIENT UN VERITABLE CHOIX ROMANESQUE ET STYLISTIQUE DE L'AUTEUR. AU CHAMP STYLISTIQUE DEFINI PAR LE DIALOGUE, NOTAMMENT DANS SES RAPPORTS AVEC LA NARRATION, S'AJOUTE LE STATUT DE LA VOIX NARRATORIALE QUI SUPPORTE LA PAROLE ROMANESQUE. CETTE VOIX GERE LES DIALOGUES DE MANIERE PROBLEMATIQUE, DELEGUANT TOUT EN DISTRIBUANT LA PAROLE AUX PERSONNAGES. LE DIALOGUE EST D'AUTRE PART LE LIEU DE L'ARGUMENTATION QUE NECESSITE LA SEDUCTION, ARGUMENTATION ET PAS SEULEMENT NEGOCIATION, DANS LA MESURE OU IL N'EXISTE PAS OU EXCEPTIONNELLEMENT CHEZ CREBILLON DE CONTRAT D'AMOUR POSSIBLE. CETTE ARGUMENTATION INFORME LES DIALOGUES ROMANESQUES ET RECOURT AUX COMPOSANTES DE LA RHETORIQUE EN JOUANT SUR LES RESSORTS LOGIQUE, PSYCHOLOGIQUE ET ESTHETIQUE. L'ETUDE DES PROCEDURES ARGUMENTATIVES MISES EN OEUVRE DANS LA SEDUCTION AMOUREUSE PERMET EGALEMENT DE METTRE A JOUR LES MANIPULATIONS DES VALEURS IDEOLOGIQUES PORTEES PAR LA SOCIETE CREBILLONIENNE. FINALEMENT TOUT LE TEXTE CREBILLONIEN, AYANT CHOISI LA VOIE ROMANESQUE, SE MET AU SERVICE DE LA CONNAISSANCE DE L'HOMME MONDAIN ET D'UNE FORME DE DISCOURS MORALISTE. LE LECTEUR, RECEPTEUR DE CE DISCOURS ET REFLET DU PUBLIC INTRAFICTIONNEL, EST MIS EN ABYME DANS LA CREATION ROMANESQUE ET FAIT L'EXPERIENCE DE LA SEDUCTION DU LITTERAIRE. THIS WORK HAS THE AIM OF STUDYING THE WORK OF CREBILLON FILS WITH REGARD TO SEDUCTION, WHICH IS THE MAIN TOPIC OF THE NOVELS. SEDUCTION IS DEFINED AS RELATIONSHIPS IN THE 'WORLD', AND AT THE SAME TIME AS A SOCIAL AND RITUAL PRACTICE. NEVERTHELESS, THIS PRACTICE MUST BE PLAIED BY THE PARTNERS AND THE FINAL WITNESS OF THIS PLAY IS THE 'PUBLIC'. IN THE NOVELS OF CREBILLON, SEDUCTION AND SPEECH ARE LINKED AND SEDUCTION IS STAGED IN DIALOGUES. DIALOGUE IS A TEXTUAL UNIT AND THE LINGUISTIC FRAME OF SEDUCTION. IT BECOMES A PARTICULAR ROMANTIC AND STYLISTIC CHOICE OF THE NOVELIST. THE PROBLEM OF THE NARRATORIAL VOICE, WHICH IS RESPONSIBLE OF CHARACTERS'SPEECH, ADDS ITSELF TO STYLISTIC FIELD DEFINED BY DIALOGUE, MORE PARTICULARLY IN ITS RELATIONS WITH NARRATING. THIS VOICE MANAGES DIALOGUES PROBLEMATICALLY : IT DELEGATES SPEECH BUT DISTRIBUTES IT TO CHARACTERS. ON THE OTHER HAND, DIALOGUE IS THE PLACE OF ARGUMENTATION, WHICH IS NEEDED BY SEDUCTION, ARGUMENTATION AND NOT ONLY NEGOTIATION, BECAUSE THERE IS NO POSSIBLE CONTRACT OF LOVE IN CREBILLON'S NOVELS. THIS ARGUMENTATION FORMS ROMANTIC DIALOGUES AND HAS RECOURSE TO CLASSICAL RHETORIC COMPONENTS : LOGICAL, PSYCHOLOGICAL AND AESTHETICAL COMPONENTS. THE STUDY OF ARGUMENTATION'S PROCEEDINGS ALLOWS TO REVEAL THE MANIPULATIONS OF IDEOLOGICAL VALUES OF THE SOCIETY STAGED IN CREBILLON'S NOVELS. FINALLY, ALL THE NOVELS AIM TO WORDLY MAN'S KNOWLEDGE AND A PARTICULAR KIND OF MORALIST SPEECH.  Read more...
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