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Selected essays.

著者: William Carlos Williams
出版商: New York, Random House [1954]
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
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类型/形式: Criticism, interpretation, etc
附加的形体格式: Online version:
Williams, William Carlos, 1883-1963.
Selected essays.
New York, Random House [1954]
(OCoLC)892036241
文件类型:
所有的著者/提供者: William Carlos Williams
OCLC号码: 280440
描述: xviii, 342 pages 22 cm
内容: Prologue to Kora in Hell (1920) --
Comment (1921) --
A Matisse (1921) --
Yours, O youth (1921) --
The writers of the American Revolution (1936) --
Shakespeare (1927) --
George Antheil and the Cantilene critics (1928) --
Notes in diary form (1927) --
A note on the recent work of James Joyce (1927) --
A point for American criticism (1929) --
The simplicity of disorder (1929) --
Caviar and bread again: a warning to the new writer (1930?) --
Excerpts from a critical sketch: a draft of XXX Cantos by Ezra Pound (1931) --
The work of Gertrude Stein (1930) --
Marianne Moore (1931) --
Kenneth Burke (1929) --
The American background: America and Alfred Stieglitz (1934) --
A 1 pound Stein (1935) --
Pound's eleven new "Cantos" (1935) --
An incredible neglect redefined (1936) --
The basis of faith in art (1937?) --
Against the weather: a study of the artist (1939) --
Federico Garcia Lorca (1939) --
Introduction to Charles Sheeler -paintings -drawings -photographs (1939) --
The tortuous straightness of Chas. Henri Ford (1939) --
A letter (1940) --
Midas: a proposal for a magazine (1941) --
An afternoon with Tchelitchew (1937) --
Author's introduction to The wedge (1944) --
Shapiro is all right (1946) --
Lower case Cummings (1946) --
Revelation (1947) --
Carl Sandburg's complete poems (1951) --
The poem as a field of action (1948) --
Marianne Moore (1948) --
A beginning on the short story: notes (1949) --
Foreword to The autobiography of William Carlos Williams (1951) --
"Parade's end " (1951) --
In a mood of tragedy: The mills of the Kavanaughs (1951) --
Dylan Thomas (1954) --
Painting in the American grain (1954) --
On measure -statement for Cid Corman (1954).

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