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The selected letters of Marianne Moore

著者: Marianne Moore; Bonnie Costello; Celeste Goodridge; Cristanne Miller
出版: New York : Knopf : Distributed by Random House, 1997.
エディション/フォーマット:   書籍 : Biography : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Marianne Moore's correspondence makes up the largest and most broadly significant collection of any modern poet. It documents the first two-thirds of this century, reflecting shifts from Victorian to modernist culture, the experience of the two world wars, the Depression and postwar prosperity, and the changing face of the arts in America and Europe. Moore wrote letters daily for most of her life - long, intense  続きを読む
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その他のフォーマット: Online version:
Moore, Marianne, 1887-1972.
Selected letters of Marianne Moore.
New York : Knopf : Distributed by Random House, 1997
(OCoLC)605210950
Online version:
Moore, Marianne, 1887-1972.
Selected letters of Marianne Moore.
New York : Knopf : Distributed by Random House, 1997
(OCoLC)609205066
関連の人物: Marianne Moore; Marianne Moore; Marianne Moore
資料の種類: Biography
ドキュメントの種類: 図書
すべての著者/寄与者: Marianne Moore; Bonnie Costello; Celeste Goodridge; Cristanne Miller
ISBN: 0679439099 9780679439097
OCLC No.: 36103955
注記: Includes index.
形態 xv, 597 p. : ill. ; 25 cm.
コンテンツ: Beginnings: childhood and the Bryn Mawr years, 1887-1909 --
From teacher to poet: 1910-1918 --
Moore in the modernist circle: 1919-1924 --
Editing the dial: 1925-1929 --
The poet in Brooklyn: 1930-1934 --
New friends, new forms: 1935-1941 --
The personal and the public: 1942-1951 --
What are years?: 1951-1972 --
Glossary of names.
他のタイトル: Correspondence.
責任者: Bonnie Costello, general editor ; Celeste Goodridge and Cristanne Miller, associate editors.
その他の情報:

概要:

Marianne Moore's correspondence makes up the largest and most broadly significant collection of any modern poet. It documents the first two-thirds of this century, reflecting shifts from Victorian to modernist culture, the experience of the two world wars, the Depression and postwar prosperity, and the changing face of the arts in America and Europe. Moore wrote letters daily for most of her life - long, intense letters to friends and family; shorter, but always distinctive letters to an ever-widening circle of acquaintances and fans. At the height of her celebrity, she would occasionally write as many as fifty letters a day. Both Moore and her correspondents appreciated the value of their exchange, so that an extraordinary number of letters, approximately thirty thousand, have been preserved.

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