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Selected piano solos, 1928-1941

Author: Earl Hines; Jeffrey James Taylor
Publisher: Middleton, Wisconsin : Published for the American Musicological Society by A-R Editions, Inc., [2006] ©2006
Series: Recent researches in American music, v. 56.; Music of the United States of America, 15.
Edition/Format:   Musical score : No Linguistic ContentView all editions and formats
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Genre/Form: Jazz
Additional Physical Format: Online version:
Hines, Earl, 1903-1983.
Selected piano solos, 1928-1941.
Middleton, Wis. : Published for the American Musicological Society by A-R Editions, ©2006
(OCoLC)636653082
Named Person: Earl Hines
Document Type: Musical Score
All Authors / Contributors: Earl Hines; Jeffrey James Taylor
ISBN: 9780895795809 0895795809
OCLC Number: 62784445
Notes: Transcriptions by the editor of solo jazz piano recordings made by Earl Hines between 1928 and 1941. Music by Earl Hines except "I ain't got nobody" (Spencer Williams), "Glad rag doll" (Dan Dougherty and Milton Ager), "Love me tonight" (Victor Young), "Down among the sheltering palms" (Abe Olman), "Rosetta" (Earl Hines and Henri Woode), and "On the sunny side of the street" (Jimmy McHugh).
Includes the essay "Earl "Fatha" Hines and the art of the jazz piano solo" (pages xv-xlix) and critical apparatus (pages 123-130).
Event notes: Recordings made in New York on Dec. 1, 1928, July 14, 1932, Oct. 6, 1939, and Apr. 3, 1941, and in Chicago on Dec. 9 and 12, 1928, and Feb. 25, 1929.
Description: 1 score (xlix, 133 pages, 5 pages of plates) : illustrations ; 31 cm.
Contents: Blues in thirds --
Stowaway --
Caution blues --
A Monday date --
I ain't got nobody --
Fifty-seven varieties --
Glad rag doll (Take 1) --
Love me tonight (Take 2) --
Down among the sheltering palms (Take 1) --
Rosetta (Take 3) --
Rosetta (Take 4) --
On the sunny side of the street (Take 2).
Medium of Performance: piano
Series Title: Recent researches in American music, v. 56.; Music of the United States of America, 15.
Other Titles: Piano music.
Responsibility: Earl "Fatha" Hines ; edited by Jeffrey Taylor.

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