| Contents: |
Stops Along the Western Bank of the Missouri River --
A Journey --
Missouri Among Rivers --
Shear Face --
Of the River Itself --
Elmwood --
Arbor Lodge --
Mandan --
The Square: Bum's Park --
The Park Above All Others Called, Riverview --
Valeeta --
Nights at the Bon Ton --
To Myself and for August 5, 1964 --
A Stratagem --
Complaint --
Drifts --
Songs from an Institution #1 --
Songs from an Institution #2 --
Songs from an Institution #3 --
A Second-Hand Elegy --
Lines for Grace Slick --
October Triptych --
November Requiem to Ourselves --
For Ezra Pound, Old --
Demi-Ode: Binomial Quantities --
The Fall --
The Temper --
Document --
Avant Courier --
Memorial Day --
A War Story --
Diversions Upon an Old Refrain --
The Riversongs of Arion, I-X --
Tracings --
Reeving --
After-Milking --
Materials of June --
Blind Pew --
Five Songs in Sequence --
The Judy Travaillo Variations --
News Notes, 1970 --
Pine Trees with Child --
Four Postulates --
The Edge of Autumn --
Shadow Puppets --
After Neruda. King Drive --
Primary Exegesis --
Lumen --
Set/Sorts --
A Hanging Screen --
Afternoons --
Ourselves --
Return --
Interstate 80 --
Esthetique du Rale --
The Sky at Ashland --
Le Jardin de Claude Monet --
Mt. Vernon Gardens, 1978 --
On the Conditions of Place --
The Fair Maid of Ribblesdale --
Consolation --
Songe Vert(e) --
Motet --
Maude --
Out West --
April Snow: An Improvisation --
Such Summers --
Cantilena --
Variations for a Summer Evening --
Lucy to the Driver --
Variations on Stryk's Basho --
Rather Like --
Sums --
Borrowed Music --
Constructions --
November or Else: An Ode --
Four Exemplary Texts --
Waiting There --
Autumn Morning, 1989 --
Gin Music --
Five Proper Nouns --
Seven Pieces for Unaccompanied Voice --
Touching the Ground --
As in a Pourtract --
And So --
Pochades --
The Darker Colors --
The Finality of a Poem --
"Not That Fair Field" --
Figures in a Landscape --
Factum, Chansons, Etc. |
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