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Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949

Author: Jiayan Mi
Publisher: Lewiston, N.Y. : Ed. Mellen Press, ©2004.
Series: Chinese studies, vol. 36.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

This study explores diverse modes of self-fashioning in the discursive formation of Chinese modernity between 1919 and 1949 in modern Chinese poetry.

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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Mi, Jiayan.
Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949.
Lewiston, N.Y. : Ed. Mellen Press, ©2004
(OCoLC)988942806
Document Type: Book
All Authors / Contributors: Jiayan Mi
ISBN: 0773463097 9780773463097
OCLC Number: 56318696
Language Note: Text in English, with poems also in Chinese, French and German.
Description: vi, 267 pages : illustrations ; 24 cm.
Contents: Preface / Michelle Yeh --
Introduction : the body poetic : toward a compositional self and national identity --
Ch. 1. The dialectic of progressive body : self, cosmos, and national identity in Guo Moruo's The goddesses --
Ch. 2. The decadent body : toward a negative ethics of mourning in Li Jinfa --
Ch. 3. The narcissistic body : mnemonic auras and fragments of modernity in Dai Wangshu --
Conclusion : self-fashioning, modernity and the will to maturity.
Series Title: Chinese studies, vol. 36.
Responsibility: Jiayan Mi.

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"Through a comparative perspective, the author highlights Western philosophers and poets as inspirations for Chinese poets' endeavor for self-fashioning. Guo Morou draws inspirations from the notions Read more...

 
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