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Selznick's vision : Gone with the wind and Hollywood filmmaking

著者: Alan David Vertrees
出版: Austin : University of Texas Press, ©1997.
シリーズ: Texas film studies series.
エディション/フォーマット:   書籍 : State or province government publication : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Gone with the Wind, arguably the most popular movie ever made, has generated interest in every aspect of its production, from the national talent search to cast the perfect Scarlett O'Hara to the "burning of Atlanta" on the studio backlot, which inaugurated the filming. Yet one crucial aspect of its production has never been fully understood or appreciated - the vital shaping role played by executive producer David
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その他のフォーマット: Online version:
Vertrees, Alan David, 1952-
Selznick's vision.
Austin : University of Texas Press, c1997
(OCoLC)605141179
関連の人物: Scarlett O'Hara, (Fictitious character); David O Selznick; David O Selznick; David O Selznick; David O Selznick
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Alan David Vertrees
ISBN: 0292787294 9780292787292 0292787286 9780292787285
OCLC No.: 36159393
物理形態: xiii, 242 p. : ill. ; 26 cm.
コンテンツ: "The vision of one man" --
Sidney Howard and the screenwriting of Gone with the wind --
William Cameron Menzies and the "script in sketch form" --
Film direction and production design of Gone with the wind --
Executive producers and classical Hollywood film production.
シリーズタイトル: Texas film studies series.
責任者: Alan David Vertrees.
その他の情報:

概要:

Gone with the Wind, arguably the most popular movie ever made, has generated interest in every aspect of its production, from the national talent search to cast the perfect Scarlett O'Hara to the "burning of Atlanta" on the studio backlot, which inaugurated the filming. Yet one crucial aspect of its production has never been fully understood or appreciated - the vital shaping role played by executive producer David O. Selznick. In this book, film scholar Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that somehow succeeded despite his interference.

Drawing on ten years of research in the Selznick archives at the Harry Ransom Humanities Research Center of the University of Texas at Austin and building his argument from an examination of the screenplay's successive drafts, dramatic continuity designs and "storyboard" sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznicks's "vision" as the guiding intelligence behind the film's success.

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