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Selznick's vision : Gone with the wind and Hollywood filmmaking

저자: Alan David Vertrees
출판사: Austin : University of Texas Press, ©1997.
시리즈: Texas film studies series.
판/형식:   도서 : 주 또는 도 정부 간행물 : 영어 : 1st ed모든 판과 형식 보기
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요약:
Gone with the Wind, arguably the most popular movie ever made, has generated interest in every aspect of its production, from the national talent search to cast the perfect Scarlett O'Hara to the "burning of Atlanta" on the studio backlot, which inaugurated the filming. Yet one crucial aspect of its production has never been fully understood or appreciated - the vital shaping role played by executive producer David
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추가적인 물리적 형식: Online version:
Vertrees, Alan David, 1952-
Selznick's vision.
Austin : University of Texas Press, ©1997
(OCoLC)605141179
명시된 사람: Scarlett O'Hara, (Fictitious character); David O Selznick; David O Selznick; David O Selznick; David O Selznick
자료 유형: 정부 간행물, 주 또는 도 정부 간행물, 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Alan David Vertrees
ISBN: 0292787294 9780292787292 0292787286 9780292787285
OCLC 번호: 36159393
설명: xiii, 242 pages : illustrations ; 26 cm.
내용: "The vision of one man" --
Sidney Howard and the screenwriting of Gone with the wind --
William Cameron Menzies and the "script in sketch form" --
Film direction and production design of Gone with the wind --
Executive producers and classical Hollywood film production.
일련 제목: Texas film studies series.
책임: Alan David Vertrees.
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초록:

Gone with the Wind, arguably the most popular movie ever made, has generated interest in every aspect of its production, from the national talent search to cast the perfect Scarlett O'Hara to the "burning of Atlanta" on the studio backlot, which inaugurated the filming. Yet one crucial aspect of its production has never been fully understood or appreciated - the vital shaping role played by executive producer David O. Selznick. In this book, film scholar Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that somehow succeeded despite his interference.

Drawing on ten years of research in the Selznick archives at the Harry Ransom Humanities Research Center of the University of Texas at Austin and building his argument from an examination of the screenplay's successive drafts, dramatic continuity designs and "storyboard" sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznicks's "vision" as the guiding intelligence behind the film's success.

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