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The semiotics of performance

Author: Marco De Marinis
Publisher: Bloomington, Ind. : Indiana University Press, ©1993.
Series: Advances in semiotics.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Discusses the possibilities of real theatrical performances: a project which is an unavoidable challenge for a semiotics of theatre. The author develops a systematic definition of performance in  Read more...

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Genre/Form: Electronic books
Additional Physical Format: Print version:
De Marinis, Marco.
Semiotics of performance.
Bloomington, Ind. : Indiana University Press, ©1993
(DLC) 92038671
(OCoLC)26931466
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Marco De Marinis
ISBN: 0585201056 9780585201054
OCLC Number: 44964847
Notes: Translation of: Semiotica del teatro.
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (viii, 266 pages) : illustrations.
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: Introduction: Theater Or Semiotics0.1. The Textual Analysis of Performance0.2. From Structuralism to the Pragmatics of the Text0.3. Enunciation, Intertextuality, and Reception0.4. Textual Analysis as a Multidisciplinary Approach0.5. Epistemological Limits0.6. Semiotics and TheaterOne. Dramatic Text and Mise-en-Scene1.1. Reasons for a Misunderstanding1.2. A Critique of the Conception of the Dramatic Text as a "Constant" or "Deep Structure" of Performance1.3. Language and Metalanguage, Text and Metatext1.4. Virtual Mise-en-Scene and Real Mise-en-Scene1.4.1. The Residue-Text: A Particular Case?1.5. The Irreversibility of Theatrical Transcoding1.6. Toward a Definition of the Dramatic Genre1.7. Dramatic Discourse1.8. The Dramatic Text as "Instructions for Use"Two. The Performance Text2.1. Performance as Text2.2. Theatrical Performance: A Definition2.2.1. Technical Reproducibility, Repeatability, Duplicatability2.2.2. Theater and Everyday Life2.3. Completeness and Coherence of the Performance Text2.3.1. The Delimitation of the Performance Text2.3.2. Levels of Coherence in the Performance Text2.4 The Performance Text: Between Presence and Absence2.4.1. "Present" Performances and "Absent" Performances2.4.2. Ruffini: Contextual Restoration2.4.3. Description/Transcription2.5. The Double Heterogeneity of the Performance Text2.6. Performance Texts Shorter or Longer than One Performance2.6.1. Partial Texts and Segments of the Performance Text2.6.2 Groups and Classes of Performance Texts2.7. Co-textual and Contextual AspectsThree. The Textual Structure of Performance3.1. Multiple Systems and Single Systems3.2. Degrees of Dynamism in the Textual Structure of Performance3.3. Partial Structures and Macrostructures3.4. Multiple Interpretations, Multiple Structures3.5. Analysis/Reading/CriticismFour. Performance
Series Title: Advances in semiotics.
Other Titles: Semiotica del teatro.
Responsibility: Marco De Marinis ; translated by Áine O'Healy.

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