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Semiotics, pragmatics, and metaphor in film music analysis

Autore: Juan Roque Chattah; Michael Howard Buchler; Matthew R Shaftel
Editore: 2006.
Tesi: Ph. D. Florida State University 2006
Edizione/Formato:   Tesi/dissertazione : Document : Thesis/dissertation : Remote-sensing image : eBook   Computer File : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
This dissertation proposes an interdisciplinary approach that aims to broaden the music-theoretical strategies employed to analyze film music by borrowing analytical models from the disciplines of semiotics and pragmatics. The examination and application of semiotic and pragmatic models developed by Fauconnier and Turner, Lakoff and Johnson, and Peirce (among others), is complemented by traditional music analysis.  Per saperne di più…
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Dettagli

Genere/forma: Electronic dissertation
Tipo materiale: Document, Thesis/dissertation, Remote-sensing image, Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: Juan Roque Chattah; Michael Howard Buchler; Matthew R Shaftel
Numero OCLC: 135194330
Note: Advisors: Michael Buckler, Matthew Shaftel, Florida State University, College of Music.
Title and description from dissertation home page (viewed 5-16-2007).
Document formatted into pages; contains 171 pages.
Includes biographical sketch.
Dettagli: Mode of access: World Wide Web.
Responsabilità: Juan Roque Chattah.
Maggiori informazioni:

Abstract:

This dissertation proposes an interdisciplinary approach that aims to broaden the music-theoretical strategies employed to analyze film music by borrowing analytical models from the disciplines of semiotics and pragmatics. The examination and application of semiotic and pragmatic models developed by Fauconnier and Turner, Lakoff and Johnson, and Peirce (among others), is complemented by traditional music analysis. This interface crystallizes in considerations of formal design, melodic contour, pitch content, harmonic gestures, cadential formulas, and other structural aspects of the music. The repertoire analyzed consists primarily of recent Hollywood film soundtracks from a wide variety of genres including cartoons, musicals, and documentaries. The result is an analytical framework that allows for the recognition of fundamental processes lying at the very heart of film music interpretation.

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