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Semiotics, pragmatics, and metaphor in film music analysis

저자: Juan Roque Chattah; Michael Howard Buchler; Matthew R Shaftel
출판사: 2006
논문: Dissertation (PhD) Florida State University, 2006.
판/형식:   주제/주장 : 문서 : 눈문/학위논문 : 원격 감지 영상 : 전자도서   컴퓨터 파일 : 영어
데이터베이스:WorldCat
요약:
This dissertation proposes an interdisciplinary approach that aims to broaden the music-theoretical strategies employed to analyze film music by borrowing analytical models from the disciplines of semiotics and pragmatics. The examination and application of semiotic and pragmatic models developed by Fauconnier and Turner, Lakoff and Johnson, and Peirce (among others), is complemented by traditional music analysis.  더 읽기…
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장르/형태: electronic dissertation
자료 유형: 문서, 눈문/학위논문, 원격 감지 영상, 인터넷 자료
문서 형식: 인터넷 자원, 컴퓨터 파일
모든 저자 / 참여자: Juan Roque Chattah; Michael Howard Buchler; Matthew R Shaftel
OCLC 번호: 135194330
메모: Advisors: Michael Buckler, Matthew Shaftel, Florida State University, College of Music.
Title and description from dissertation home page (viewed 5-16-2007).
Document formatted into pages; contains 171 pages.
Includes biographical sketch.
세부사항: Mode of access: World Wide Web.
책임: Juan Roque Chattah.

초록:

This dissertation proposes an interdisciplinary approach that aims to broaden the music-theoretical strategies employed to analyze film music by borrowing analytical models from the disciplines of semiotics and pragmatics. The examination and application of semiotic and pragmatic models developed by Fauconnier and Turner, Lakoff and Johnson, and Peirce (among others), is complemented by traditional music analysis. This interface crystallizes in considerations of formal design, melodic contour, pitch content, harmonic gestures, cadential formulas, and other structural aspects of the music. The repertoire analyzed consists primarily of recent Hollywood film soundtracks from a wide variety of genres including cartoons, musicals, and documentaries. The result is an analytical framework that allows for the recognition of fundamental processes lying at the very heart of film music interpretation.

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