skip to content
The shadow and the act : black intellectual practice, jazz improvisation, and philosophical pragmatism Preview this item
ClosePreview this item
Checking...

The shadow and the act : black intellectual practice, jazz improvisation, and philosophical pragmatism

Author: Walton M Muyumba
Publisher: Chicago : University of Chicago Press, 2009.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
Ralph Ellison, James Baldwin, and Amiri Baraka shared a passion for jazz music. It was a decisive influence on their thinking, and, as this book reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era.
Rating:

based on 1 rating(s) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Muyumba, Walton M.
Shadow and the act.
Chicago : University of Chicago Press, 2009
(OCoLC)802298949
Named Person: Ralph Ellison; James Baldwin; Amiri Baraka; James Baldwin; Amiri Baraka; Ralph Ellison
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Walton M Muyumba
ISBN: 9780226554235 9780226554242 0226554236 0226554244
OCLC Number: 262429500
Description: xi, 216 p. ; 22 cm.
Contents: Introduction: vamping til ready --
Movement I: Three ways of looking at a yardbird: Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and Le Roi Jones/Amiri Baraka --
Movement II: Black is, black ain't: violence, black masculinity, and the novel as democratic symbol --
Movement III: Cutting session: Baldwin as intellectual prizefighter, Baldwin as improvising intellectual --
Movement IV: Improvising over the changes: improvisation as intellectual and aesthetic practice in the transitional poems of Le Roi Jones/Amiri Baraka --
Coda.
Responsibility: Walton M. Muyumba.

Abstract:

Though thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests. Jazz, in particular, was a decisive influence on their thinking. This title connects their  Read more...

Reviews

Editorial reviews

Publisher Synopsis

"This is an extraordinary book. Muyumba's pathbreaking account of Ellison, Baraka, and Baldwin's aesthetic theories and the connection between those theories and African American politics is creative Read more...

 
User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/262429500>
library:oclcnum"262429500"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/262429500>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2007100736>
rdf:typeschema:Intangible
schema:name"American literature--African American authors--History and criticism."@en
schema:about
<http://id.worldcat.org/fast/807114>
rdf:typeschema:Intangible
schema:name"American literature--African American authors"@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2009"
schema:description"Introduction: vamping til ready -- Movement I: Three ways of looking at a yardbird: Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and Le Roi Jones/Amiri Baraka -- Movement II: Black is, black ain't: violence, black masculinity, and the novel as democratic symbol -- Movement III: Cutting session: Baldwin as intellectual prizefighter, Baldwin as improvising intellectual -- Movement IV: Improvising over the changes: improvisation as intellectual and aesthetic practice in the transitional poems of Le Roi Jones/Amiri Baraka -- Coda."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/801817692>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The shadow and the act : black intellectual practice, jazz improvisation, and philosophical pragmatism"@en
schema:numberOfPages"216"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.