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Shakespeare and the materiality of performance

Auteur : Erika T Lin
Éditeur : New York : Palgrave Macmillan, 2012.
Édition/format :   Print book : Anglais : 1st edVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Shakespeare and the Materiality of Performance is an important book, charting Shakespearean theatre not as the reproduction of a script but as an event. Erika T. Lin searchingly sets the signifying and embodied designs of stage performance in dialogue with other forms of meaningful early modern action, notably dance and sports, to refine the cultural attitudes and practices that conditioned early modern attitudes
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Détails

Personne nommée : William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare
Format : Livre
Tous les auteurs / collaborateurs : Erika T Lin
ISBN : 9781137001061 1137001062
Numéro OCLC : 784447335
Description : xiii, 238 pages : illustrations ; 25 cm
Contenu : Performance effects. Introduction: materializing the immaterial --
Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea --
Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost --
Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy --
Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth --
Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
Responsabilité : Erika T. Lin.
Plus d’informations :

Résumé :

Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling  Lire la suite...

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"Shakespeare and the Materiality of Performance powerfully redirects our attention as scholars of early modern drama to the fact that the plays we discuss were performed before audiences carrying Lire la suite...

 
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   schema:description ""If the original Globe Theatre had run backstage tours, Lin would have been the perfect docent. In Shakespeare and the Materiality of Performance she manages to connect planks, nails, costumes, and props with physical bodies, psychology, and subjectivity. In more ways than one, this is a book of tremendous reach."--Bruce R. Smith, author of Phenomenal Shakespeare."@en ;
   schema:description "Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Erika T. Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind of Shakespeare's audience shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices --Book Jacket."@en ;
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