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Shakespearean criticism. Volume 3

Author: Laurie Lanzen Harris; Mark W Scott
Publisher: Detroit, Mich. : Gale Research, 1986.
Series: Literature criticism online; Literature criticism online.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism,  Read more...
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Details

Genre/Form: Tragicomedies
Criticism, interpretation, etc
History
Poetry
Stories, plots, etc
Electronic books
Named Person: William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Laurie Lanzen Harris; Mark W Scott
ISBN: 9780810361270 0810361272
OCLC Number: 644717577
Description: 1 online resource.
Contents: Henry VI, parts 1, 2, and 3 by William Shakespeare --
Macbeth by William Shakespeare --
A midsummer night's dream by William Shakespeare --
Troilus and Cressida by William Shakespeare.
Series Title: Literature criticism online; Literature criticism online.
Responsibility: Laurie Lanzen Harris and Mark W. Scott, editors.

Abstract:

Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance.

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