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Shelley's Poetry and prose : authoritative texts, criticism Titelvorschau
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Shelley's Poetry and prose : authoritative texts, criticism

Autor: Percy Bysshe Shelley; Donald H Reiman; Sharon B Powers
Verlag: New York : Norton, ©1977.
Serien: Norton critical edition.
Ausgabe/Medienart   Gedrucktes Buch : Englisch : 1st edAlle Ausgaben und Medienarten anzeigen
Zusammenfassung:
Shelley's poetry has gone in and out of fashion since his death in 1822--first considered immature, excessive, and even incoherent but later judged by critics to be among the great poems of the English language. At its best, his poetry is unparalleled for its range of metrical experimentation, its moral rigor, and its lush, sensual imagery. He has been staunchly championed by poets from Byron to Wordsworth to Yeats.
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Gattung/Form: Criticism, interpretation, etc
Name: Percy Bysshe Shelley; Percy Bysshe Shelley; Percy Bysshe Shelley; Percy Bysshe Shelley
Dokumenttyp Buch
Alle Autoren: Percy Bysshe Shelley; Donald H Reiman; Sharon B Powers
ISBN: 039304436X 9780393044362 0393091643 9780393091649
OCLC-Nummer: 3003618
Beschreibung: xix, 700 pages ; 22 cm.
Inhalt: The Poems --
from The Esdaile Notebook --
Zeinab and Kathema --
The Retrospect --
Sonnet: To a Balloon, lLden with Knowledge --
To the Emperors of Russia and Austria ... --
Queen Mab --
Alastor --
Stanzas. --
April, 1814 --
Mutability ("We are as Clouds") --
To Wordsworth --
Mont Blanc --
Hymn to Intellectual Beauty --
from Laon and Cythna (later The Revolt of Islam) --
Dedication --
Canto IX, stanzas 20-28 --
To Constantia --
Ozymandias --
Lines Written Among the Euganean Hills --
Julian and Maddalo --
Stanzas Written in Dejection --
December 1818, Near Naples --
The Two Spirits --
An Allegory --
Prometheus Unbound --
The Sensitive-Plant --
Ode to Heaven --
Ode to the West Wind --
The Cloud --
To a Sky-Lark --
Ode to Liberty --
The Cenci --
The Mask of Anarchy --
Sonnet: England in 1819 --
Sonnet: To the Republic of Benevento --
Sonnet ("Lift not the Painted Veil") --
Sonnet ("Ye Hasten to the Grave!") --
Letter to Maria Gisborne --
Peter Bell the Third --
The Witch of Atlas --
Song of Apollo --
Song of Pan --
The Indian Girl's Song --
Song ("Rarely, Rarely Comest Thou") --
Epipsychidion --
Adonis --
Hellas --
Written on Hearing the News of the Death of Napoleon --
The Flower That Smiles Today --
When Passion's Trance is Overpast --
To _____ ("Music When Soft Voices dDe") --
Memory --
To Jane. The Invitation --
To Jane. The Recollection --
One Word Is Too Often Profaned --
The Serpent Is Shut Out from Paradise --
With a Guitar. To Jane. --
To Jane ("The Keen Stars Were Twinkling") --
Lines Written in the Bay of Lerici --
The Prose. On Love --
On Life --
A Defence of Poetry --
Criticism. General Studies --
The Social Philosophy of Shelley / Kenneth Neill Cameron --
[The Role of Scepticism in Shelley's Thought] / C.E. Pulos --
[Shelley's Use of Myth] / Earl R. Wasserman --
The Purpose and Method of Shelley's Poetry --
Studies of Individual Works. Alasator: A Reinterpretation / Evan K. Gibson --
The One "Mont Blanc" / Charles H. Vivian --
Structure, Symbol, and Theme in "Lines Written Among the Euganean Hills" / Donald H. Reiman --
[Shelley's Prometheus Unbound] / M.H. Abrams --
Potentiality in Prometheus Unbound / D.J. Hughes --
["Ode to the West Wind"] / Irene H. Chayes --
[The Cenci] / Carlos Baker --
The Planet-Tempest Passage in Epipsychidion / Kenneth Neill Cameron --
Adonais / Russ Woodman --
[Hellas] / Carl Woodring --
Shelley's Lyrics / G.M. Matthews.
Serientitel: Norton critical edition.
Andere Titel Works.
Verfasserangabe: selected and edited by Donald H. Reiman and Sharon B. Powers.

Abstract:

Shelley's poetry has gone in and out of fashion since his death in 1822--first considered immature, excessive, and even incoherent but later judged by critics to be among the great poems of the English language. At its best, his poetry is unparalleled for its range of metrical experimentation, its moral rigor, and its lush, sensual imagery. He has been staunchly championed by poets from Byron to Wordsworth to Yeats.

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