跳至内容
Shifting grounds : feminist dialogism, narrative strategies, and constructions of self in works by four U.S. women writers 線上預覽
關閉線上預覽
正在查...

Shifting grounds : feminist dialogism, narrative strategies, and constructions of self in works by four U.S. women writers

作者: Ann E Reuman
出版商: ©1998.
論文: Thesis (Ph. D.)--Tufts University, 1998.
版本/格式:   碩士/博士論文 : 碩士論文/博士論文 : 手稿   文檔資料 : 英語
資料庫:WorldCat
提要:
Working at the conjunction of feminist and Bakhtinian theory and focusing particularly on Paula Gunn Allen's The Woman Who Owned the Shadows (1983), Gloria Anzaldua's Borderlands/La Frontera: The New Mestiza (1987), Audre Lorde's Zami: A New Spelling of My Name (1982), and Marilynne Robinson's Housekeeping (1980), I examine the ways in which four U.S. women writers, linked by a legacy of racism and colonialism yet
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

提及的人: Gloria Anzaldúa; Marilynne Robinson; Paula Gunn Allen; Audre Lorde
資料類型: 碩士論文/博士論文, 手稿
文件類型: 圖書, 文檔資料
所有的作者/貢獻者: Ann E Reuman
OCLC系統控制編碼: 43437124
注意: Submitted to the Dept. of English.
描述: vi, 328 leaves : 29 cm.
其他題名: Feminist dialogism, narrative strategies, and constructions of self in works by four U.S. women writers
責任: by Ann E. Reuman.

摘要:

Working at the conjunction of feminist and Bakhtinian theory and focusing particularly on Paula Gunn Allen's The Woman Who Owned the Shadows (1983), Gloria Anzaldua's Borderlands/La Frontera: The New Mestiza (1987), Audre Lorde's Zami: A New Spelling of My Name (1982), and Marilynne Robinson's Housekeeping (1980), I examine the ways in which four U.S. women writers, linked by a legacy of racism and colonialism yet grounded in specific identities and heritages, expose conflictual American histories, define and disrupt boundaries in constructions of identity and genre, transform cultural myths to propose an American aesthetics of hybridity, challenge postmodern despiritualization, and propose ways of shifting the grounds of our thinking without reinscribing systems of dominance. In their recuperation of sacred tales of historically specific struggle and female power and in their politicized narrative forms, I argue, Allen, Anzaldua, Robinson, and Lorde make visible hidden structures of power, challenge dominant western notions of opposition, "reality," agency, "feminism," resistance, and art, destabilize traditionally privileged American narratives that are Eurocentric, male-centered, "universal," linear, monolingual, and generically "pure," locate a space for American women's writing and theorizing that includes previously subjugated knowledge, multi-voicedness, and multiple, mobile subjectivities, reveal "productive violences" that shake complacent "readers" out of unquestioning belief in supposed certainties, and link storytelling and collective memory to political consciousness and constructions of self.

My research extends current critical and feminist debate regarding identity and difference by theorizing relational negotiation as a major feminist paradigm; it questions American notions of isolated authorship and of the novel as the most significant literary form; it addresses the importance of gender, race, ethnicity, and sexuality as socio-historical factors in the formation of art; and it considers how feminist dialogism in literature applies to curricular and pedagogical choices as well as to cross-cultural relations in America today.

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/43437124>
library:oclcnum"43437124"
library:placeOfPublication
owl:sameAs<info:oclcnum/43437124>
rdf:typej.0:Thesis
rdf:typej.2:Thesis
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:copyrightYear"1998"
schema:datePublished"1998"
schema:description"Working at the conjunction of feminist and Bakhtinian theory and focusing particularly on Paula Gunn Allen's The Woman Who Owned the Shadows (1983), Gloria Anzaldua's Borderlands/La Frontera: The New Mestiza (1987), Audre Lorde's Zami: A New Spelling of My Name (1982), and Marilynne Robinson's Housekeeping (1980), I examine the ways in which four U.S. women writers, linked by a legacy of racism and colonialism yet grounded in specific identities and heritages, expose conflictual American histories, define and disrupt boundaries in constructions of identity and genre, transform cultural myths to propose an American aesthetics of hybridity, challenge postmodern despiritualization, and propose ways of shifting the grounds of our thinking without reinscribing systems of dominance. In their recuperation of sacred tales of historically specific struggle and female power and in their politicized narrative forms, I argue, Allen, Anzaldua, Robinson, and Lorde make visible hidden structures of power, challenge dominant western notions of opposition, "reality," agency, "feminism," resistance, and art, destabilize traditionally privileged American narratives that are Eurocentric, male-centered, "universal," linear, monolingual, and generically "pure," locate a space for American women's writing and theorizing that includes previously subjugated knowledge, multi-voicedness, and multiple, mobile subjectivities, reveal "productive violences" that shake complacent "readers" out of unquestioning belief in supposed certainties, and link storytelling and collective memory to political consciousness and constructions of self."
schema:description"My research extends current critical and feminist debate regarding identity and difference by theorizing relational negotiation as a major feminist paradigm; it questions American notions of isolated authorship and of the novel as the most significant literary form; it addresses the importance of gender, race, ethnicity, and sexuality as socio-historical factors in the formation of art; and it considers how feminist dialogism in literature applies to curricular and pedagogical choices as well as to cross-cultural relations in America today."
schema:exampleOfWork<http://worldcat.org/entity/work/id/44922638>
schema:genre"History"
schema:inLanguage"en"
schema:name"Shifting grounds : feminist dialogism, narrative strategies, and constructions of self in works by four U.S. women writers"

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.