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Six French poets of our time : a critical and historical study

Author: Robert W Greene
Publisher: Princeton, N.J. : Princeton University Press, ©1979.
Series: Princeton essays in literature.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
During the last sixty to seventy years avant-garde poetry in France has evolved in two directions: one toward poetry conceived as a means to an end, the other toward poetry as an end in itself. Focusing on Pierre Reverdy, Francis Ponge, René Char, André du Bouchet, Jacques Dupin, and Marcelin Pleynet as the modern French poets who most faithfully reflect these directions, Robert Greene's chronological study allows  Read more...
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Details

Genre/Form: Criticism, interpretation, etc
Named Person: Pierre Reverdy; Francis Ponge; René Char; André Du Bouchet; Jacques Dupin; Marcelin Pleynet; René Char; André Du Bouchet; Jacques Dupin; Marcelin Pleynet; Francis Ponge; Pierre Reverdy; Pierre Reverdy; Francis Ponge; Rene Char; Andre Du Bouchet; Jacques Dupin; Marcelin Pleynet
Document Type: Book
All Authors / Contributors: Robert W Greene
ISBN: 0691063907 9780691063904
OCLC Number: 4492393
Description: x, 200 pages ; 23 cm.
Contents: Part I. Pierre Reverdy ; The symbolist heritage --
Literary cubism --
Poet of nausea --
Symbolism, cubism and existentialism --
Part II. Francis Ponge ; Reverdy and Ponge --
The critical reaction --
Metapoet --
Part III. René Char ; Reverdy, Ponge and surrealism --
Surrealism and Char --
Poet of contradiction --
Part IV. André du Bouchet --
Part V. Jacques Dupin --
Part VI. Marcelin Pleynet.
Series Title: Princeton essays in literature.
Responsibility: Robert W. Greene.
More information:

Abstract:

During the last sixty to seventy years avant-garde poetry in France has evolved in two directions: one toward poetry conceived as a means to an end, the other toward poetry as an end in itself. Focusing on Pierre Reverdy, Francis Ponge, René Char, André du Bouchet, Jacques Dupin, and Marcelin Pleynet as the modern French poets who most faithfully reflect these directions, Robert Greene's chronological study allows us to follow the two-pronged evolution of French poetry since 1910. Situating his argument in a detailed historical context and basing it on comparisons with artistic movements and the poets' own writings on art, and on extended analyses of selected representative poems, the author is able to establish a new intellectual-historical perspective on contemporary poetry. Professor Greene finds that whereas Reverdy, Char, du Bouchet, and Dupin all embrace a conception of poetry as quest, as a search for the absolute, as the Way of beauty or truth, Ponge and Pleynet hold to a view of poetry as jête, as a celebration of the relative, as the play and display of language in action. What knits them together, he concludes, is the way in which each poet sums up his era as a stage in the development of twentieth-century French poetry.

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