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Slaves on screen : film and historical vision

Autor: Natalie Zemon Davis
Editorial: Cambridge, Mass. : Harvard University Press, 2000.
Edición/Formato:   Libro-e : Documento : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.
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Detalles

Formato físico adicional: Print version:
Davis, Natalie Zemon, 1928-
Slaves on screen.
Cambridge, Mass. : Harvard University Press, 2000
(DLC) 00039687
(OCoLC)43903765
Tipo de material: Documento, Recurso en Internet
Tipo de documento: Recurso en Internet, Archivo de computadora
Todos autores / colaboradores: Natalie Zemon Davis
Número OCLC: 631156152
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010.
Descripción: 1 online resource (xi, 164 pages) : illustrations
Detalles: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenido: Film as historical narrative --
Resistance and survival: Spartacus --
Ceremony and revolt: Burn! and The Last Supper --
Witnesses of trauma: Amistad and Beloved --
Telling the truth.
Responsabilidad: Natalie Zemon Davis.

Resumen:

"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.

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Datos enlazados


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