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Slaves on screen : film and historical vision

Auteur : Natalie Zemon Davis
Éditeur : Cambridge, Mass. : Harvard University Press, 2000.
Édition/format :   Livre électronique : Document : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.
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Détails

Format – détails additionnels : Print version:
Davis, Natalie Zemon, 1928-
Slaves on screen.
Cambridge, Mass. : Harvard University Press, 2000
(DLC) 00039687
(OCoLC)43903765
Type d’ouvrage : Document, Ressource Internet
Format : Internet Resource, Computer File
Tous les auteurs / collaborateurs : Natalie Zemon Davis
Numéro OCLC : 631156152
Notes de reproduction : Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description : 1 online resource (xi, 164 pages) : illustrations
Détails : Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenu : Film as historical narrative --
Resistance and survival: Spartacus --
Ceremony and revolt: Burn! and The Last Supper --
Witnesses of trauma: Amistad and Beloved --
Telling the truth.
Responsabilité : Natalie Zemon Davis.

Résumé :

"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.

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Données liées


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