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Slaves on screen : film and historical vision

Auteur : Natalie Zemon Davis
Éditeur: Cambridge, Mass. : Harvard University Press, 2000.
Édition/format:   Livre électronique : Document : AnglaisVoir toutes les éditions et tous les formats
Résumé:
"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.
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Détails

Format – détails additionnels: Print version:
Davis, Natalie Zemon, 1928-
Slaves on screen.
Cambridge, Mass. : Harvard University Press, 2000
(DLC) 00039687
(OCoLC)43903765
Type d’ouvrage: Document, Ressource Internet
Type de document: Ressource Internet, Fichier d'ordinateur
Tous les auteurs / collaborateurs: Natalie Zemon Davis
Numéro OCLC: 631156152
Notes de reproduction: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (xi, 164 pages) : illustrations
Détails: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenu: Film as historical narrative --
Resistance and survival: Spartacus --
Ceremony and revolt: Burn! and The Last Supper --
Witnesses of trauma: Amistad and Beloved --
Telling the truth.
Responsabilité: Natalie Zemon Davis.

Résumé:

The author of "The Return of Martin Guerre" and "Women on the Margins" now tackles the large issue of how the moving picture industry has portrayed slaves in five motion pictures: "Spartacus" (1960),  Lire la suite...

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Synopsis de l’éditeur

This book is filled with valuable lessons for students of both the past itself and the various media through which history can be told.--John E. O'Connor"Phi Beta Kappa Journal" (06/01/2001)

 
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