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Slaves on screen : film and historical vision
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Slaves on screen : film and historical vision

Autore: Natalie Zemon Davis
Editore: Cambridge, Mass. : Harvard University Press, 2000.
Edizione/Formato:  eBook : Document : EnglishVedi tutte le edizioni e i formati
Sommario:
"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.
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Dettagli

Informazioni aggiuntive sul format: Print version:
Davis, Natalie Zemon, 1928-
Slaves on screen.
Cambridge, Mass. : Harvard University Press, 2000
(DLC) 00039687
(OCoLC)43903765
Tipo materiale: Document, Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: Natalie Zemon Davis
Numero OCLC: 606354343
Descrizione: 1 online resource (xi, 164 p.) : ill.
Dettagli: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenuti: Film as historical narrative --
Resistance and survival: Spartacus --
Ceremony and revolt: Burn! and The Last Supper --
Witnesses of trauma: Amistad and Beloved --
Telling the truth.
Responsabilità: Natalie Zemon Davis.

Abstract:

The author of "The Return of Martin Guerre" and "Women on the Margins" now tackles the large issue of how the moving picture industry has portrayed slaves in five motion pictures: "Spartacus" (1960),  Per saperne di più…

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This book is filled with valuable lessons for students of both the past itself and the various media through which history can be told.--John E. O'Connor"Phi Beta Kappa Journal" (06/01/2001)

 
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