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Slaves on screen : film and historical vision

Autore: Natalie Zemon Davis
Editore: Cambridge, Mass. : Harvard University Press, 2000.
Edizione/Formato:   eBook : Document : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.
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Dettagli

Informazioni aggiuntive sul formato: Print version:
Davis, Natalie Zemon, 1928-
Slaves on screen.
Cambridge, Mass. : Harvard University Press, 2000
(DLC) 00039687
(OCoLC)43903765
Tipo materiale: Document, Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: Natalie Zemon Davis
Numero OCLC: 631156152
Note di riproduzione: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Descrizione: 1 online resource (xi, 164 pages) : illustrations
Dettagli: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenuti: Film as historical narrative --
Resistance and survival: Spartacus --
Ceremony and revolt: Burn! and The Last Supper --
Witnesses of trauma: Amistad and Beloved --
Telling the truth.
Responsabilità: Natalie Zemon Davis.

Abstract:

"Tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films; Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998)."--Jacket.

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