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The sound of tomorrow : how electronic music was smuggled into the mainstream

Autor: Mark Brend
Editorial: New York : Bloomsbury, 2012.
Edición/Formato:   Libro : Biografía : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music  Leer más
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Detalles

Género/Forma: Criticism, interpretation, etc
Tipo de material: Biografía, Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Mark Brend
ISBN: 9780826424525 082642452X
Número OCLC: 777652910
Descripción: xi, 272 p. : ill. ; 22 cm.
Contenido: More music than they ever had before --
I like music that explodes into space --
The privilege of ignoring conventions --
Out of the ordinary --
Manhattan researchers --
Because a fire was in my head --
Moog men --
White noise --
It rhymes with vogue.
Otros títulos: How electronic music was smuggled into the mainstream
Responsabilidad: Mark Brend.
Más información:

Resumen:

A fascinating history of the inventors, producers and technicians behind the early televisual and cinematic breakthroughs of electronic music, packed with original research and interviews.  Leer más

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Mark Brend's comprensive history of the process by which what was once the marginalised province of academics and solitary hobbyists gradually became absorbed within the fabric of the musical Leer más

 
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Datos enlazados


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