aller au contenu
The sound of tomorrow : how electronic music was smuggled into the mainstream Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

The sound of tomorrow : how electronic music was smuggled into the mainstream

Auteur : Mark Brend
Éditeur : New York : Bloomsbury, 2012.
Édition/format :   Print book : Biographie : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire en ligne

Liens vers cet ouvrage

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Criticism, interpretation, etc
Type d’ouvrage : Biographie, Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Mark Brend
ISBN : 9780826424525 082642452X
Numéro OCLC : 777652910
Description : xi, 272 p. : ill. ; 22 cm.
Contenu : More music than they ever had before --
I like music that explodes into space --
The privilege of ignoring conventions --
Out of the ordinary --
Manhattan researchers --
Because a fire was in my head --
Moog men --
White noise --
It rhymes with vogue.
Autres titres : How electronic music was smuggled into the mainstream
Responsabilité : Mark Brend.
Plus d’informations :

Résumé :

A fascinating history of the inventors, producers and technicians behind the early televisual and cinematic breakthroughs of electronic music, packed with original research and interviews.  Lire la suite...

Critiques

Critiques éditoriales

Synopsis de l’éditeur

Mark Brend's comprensive history of the process by which what was once the marginalised province of academics and solitary hobbyists gradually became absorbed within the fabric of the musical Lire la suite...

 
Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.

Ouvrages semblables

Sujets associés :(6)

Listes d’utilisateurs dans lesquelles cet ouvrage apparaît (2)

Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


Primary Entity

<http://www.worldcat.org/oclc/777652910> # The sound of tomorrow : how electronic music was smuggled into the mainstream
    a schema:CreativeWork, schema:Book ;
    library:oclcnum "777652910" ;
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/nyu> ;
    library:placeOfPublication <http://dbpedia.org/resource/New_York_City> ; # New York
    schema:about <http://experiment.worldcat.org/entity/work/data/1191395641#Topic/elektronische_musik> ; # Elektronische Musik
    schema:about <http://id.loc.gov/authorities/subjects/sh2008102948> ; # Electronic music--History and criticism
    schema:about <http://id.worldcat.org/fast/907363> ; # Electronic music
    schema:about <http://id.loc.gov/authorities/classification/ML1380> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/1191395641#Topic/popular_music_history_and_criticism> ; # Popular music--History and criticism
    schema:about <http://experiment.worldcat.org/entity/work/data/1191395641#Topic/unterhaltungsmusik> ; # Unterhaltungsmusik
    schema:about <http://dewey.info/class/786.7/e23/> ;
    schema:about <http://id.worldcat.org/fast/1071422> ; # Popular music
    schema:alternateName "How electronic music was smuggled into the mainstream" ;
    schema:bookFormat bgn:PrintBook ;
    schema:creator <http://viaf.org/viaf/235073314> ; # Mark Brend
    schema:datePublished "2012" ;
    schema:description "More music than they ever had before -- I like music that explodes into space -- The privilege of ignoring conventions -- Out of the ordinary -- Manhattan researchers -- Because a fire was in my head -- Moog men -- White noise -- It rhymes with vogue."@en ;
    schema:description "Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new [Publisher description]."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/1191395641> ;
    schema:genre "Criticism, interpretation, etc."@en ;
    schema:genre "Biography"@en ;
    schema:inLanguage "en" ;
    schema:name "The sound of tomorrow : how electronic music was smuggled into the mainstream"@en ;
    schema:numberOfPages "272" ;
    schema:productID "777652910" ;
    schema:publication <http://www.worldcat.org/title/-/oclc/777652910#PublicationEvent/new_york_bloomsbury_2012> ;
    schema:publisher <http://experiment.worldcat.org/entity/work/data/1191395641#Agent/bloomsbury> ; # Bloomsbury
    schema:url <http://catdir.loc.gov/catdir/enhancements/fy1412/2013560242-t.html> ;
    schema:workExample <http://worldcat.org/isbn/9780826424525> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/777652910> ;
    .


Related Entities

<http://dbpedia.org/resource/New_York_City> # New York
    a schema:Place ;
    schema:name "New York" ;
    .

<http://experiment.worldcat.org/entity/work/data/1191395641#Topic/elektronische_musik> # Elektronische Musik
    a schema:Intangible ;
    schema:name "Elektronische Musik"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/1191395641#Topic/popular_music_history_and_criticism> # Popular music--History and criticism
    a schema:Intangible ;
    schema:name "Popular music--History and criticism"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/1191395641#Topic/unterhaltungsmusik> # Unterhaltungsmusik
    a schema:Intangible ;
    schema:name "Unterhaltungsmusik"@en ;
    .

<http://id.loc.gov/authorities/subjects/sh2008102948> # Electronic music--History and criticism
    a schema:Intangible ;
    schema:name "Electronic music--History and criticism"@en ;
    .

<http://id.worldcat.org/fast/1071422> # Popular music
    a schema:Intangible ;
    schema:name "Popular music"@en ;
    .

<http://id.worldcat.org/fast/907363> # Electronic music
    a schema:Intangible ;
    schema:name "Electronic music"@en ;
    .

<http://viaf.org/viaf/235073314> # Mark Brend
    a schema:Person ;
    schema:familyName "Brend" ;
    schema:givenName "Mark" ;
    schema:name "Mark Brend" ;
    .

<http://worldcat.org/isbn/9780826424525>
    a schema:ProductModel ;
    schema:isbn "082642452X" ;
    schema:isbn "9780826424525" ;
    .

<http://www.worldcat.org/title/-/oclc/777652910>
    a genont:InformationResource, genont:ContentTypeGenericResource ;
    schema:about <http://www.worldcat.org/oclc/777652910> ; # The sound of tomorrow : how electronic music was smuggled into the mainstream
    schema:dateModified "2015-02-20" ;
    void:inDataset <http://purl.oclc.org/dataset/WorldCat> ;
    .


Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.