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The sound of tomorrow : how electronic music was smuggled into the mainstream

Autore: Mark Brend
Editore: New York : Bloomsbury, 2012.
Edizione/Formato:   book_printbook : Biography : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
Tipo materiale: Biography, Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Mark Brend
ISBN: 9780826424525 082642452X
Numero OCLC: 777652910
Descrizione: xi, 272 p. : ill. ; 22 cm.
Contenuti: More music than they ever had before --
I like music that explodes into space --
The privilege of ignoring conventions --
Out of the ordinary --
Manhattan researchers --
Because a fire was in my head --
Moog men --
White noise --
It rhymes with vogue.
Altri titoli: How electronic music was smuggled into the mainstream
Responsabilità: Mark Brend.
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Abstract:

A fascinating history of the inventors, producers and technicians behind the early televisual and cinematic breakthroughs of electronic music, packed with original research and interviews.  Per saperne di più…

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Mark Brend's comprensive history of the process by which what was once the marginalised province of academics and solitary hobbyists gradually became absorbed within the fabric of the musical Per saperne di più…

 
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