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The sound of tomorrow : how electronic music was smuggled into the mainstream

著者: Mark Brend
出版商: New York : Bloomsbury, 2012.
版本/格式:   图书 : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music  再读一些...
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类型/形式: Criticism, interpretation, etc
材料类型: 传记, 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Mark Brend
ISBN: 9780826424525 082642452X
OCLC号码: 777652910
描述: xi, 272 p. : ill. ; 22 cm.
内容: More music than they ever had before --
I like music that explodes into space --
The privilege of ignoring conventions --
Out of the ordinary --
Manhattan researchers --
Because a fire was in my head --
Moog men --
White noise --
It rhymes with vogue.
其他题名: How electronic music was smuggled into the mainstream
责任: Mark Brend.
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摘要:

A fascinating history of the inventors, producers and technicians behind the early televisual and cinematic breakthroughs of electronic music, packed with original research and interviews.  再读一些...

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Mark Brend's comprensive history of the process by which what was once the marginalised province of academics and solitary hobbyists gradually became absorbed within the fabric of the musical 再读一些...

 
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