跳至内容
The sound of tomorrow : how electronic music was smuggled into the mainstream 線上預覽
關閉線上預覽
正在查...

The sound of tomorrow : how electronic music was smuggled into the mainstream

作者: Mark Brend
出版商: New York : Bloomsbury, 2012.
版本/格式:   Print book : 傳記 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music  再讀一些...
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在線上查詢

與資料的連結

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

類型/形式: Criticism, interpretation, etc
資料類型: 傳記, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Mark Brend
ISBN: 9780826424525 082642452X
OCLC系統控制編碼: 777652910
描述: xi, 272 p. : ill. ; 22 cm.
内容: More music than they ever had before --
I like music that explodes into space --
The privilege of ignoring conventions --
Out of the ordinary --
Manhattan researchers --
Because a fire was in my head --
Moog men --
White noise --
It rhymes with vogue.
其他題名: How electronic music was smuggled into the mainstream
責任: Mark Brend.
更多資訊:

摘要:

A fascinating history of the inventors, producers and technicians behind the early televisual and cinematic breakthroughs of electronic music, packed with original research and interviews.  再讀一些...

評論

社評

出版商概要

Mark Brend's comprensive history of the process by which what was once the marginalised province of academics and solitary hobbyists gradually became absorbed within the fabric of the musical 再讀一些...

 
讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個

類似資料

相關主題:(6)

提供給讀者有關此資料的清單 (2)

確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


Primary Entity

<http://www.worldcat.org/oclc/777652910> # The sound of tomorrow : how electronic music was smuggled into the mainstream
    a schema:CreativeWork, schema:Book ;
    library:oclcnum "777652910" ;
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/nyu> ;
    library:placeOfPublication <http://dbpedia.org/resource/New_York_City> ; # New York
    schema:about <http://experiment.worldcat.org/entity/work/data/1191395641#Topic/elektronische_musik> ; # Elektronische Musik
    schema:about <http://id.loc.gov/authorities/subjects/sh2008102948> ; # Electronic music--History and criticism
    schema:about <http://id.worldcat.org/fast/907363> ; # Electronic music
    schema:about <http://id.loc.gov/authorities/classification/ML1380> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/1191395641#Topic/popular_music_history_and_criticism> ; # Popular music--History and criticism
    schema:about <http://experiment.worldcat.org/entity/work/data/1191395641#Topic/unterhaltungsmusik> ; # Unterhaltungsmusik
    schema:about <http://dewey.info/class/786.7/e23/> ;
    schema:about <http://id.worldcat.org/fast/1071422> ; # Popular music
    schema:alternateName "How electronic music was smuggled into the mainstream" ;
    schema:bookFormat bgn:PrintBook ;
    schema:creator <http://viaf.org/viaf/235073314> ; # Mark Brend
    schema:datePublished "2012" ;
    schema:description "More music than they ever had before -- I like music that explodes into space -- The privilege of ignoring conventions -- Out of the ordinary -- Manhattan researchers -- Because a fire was in my head -- Moog men -- White noise -- It rhymes with vogue."@en ;
    schema:description "Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new [Publisher description]."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/1191395641> ;
    schema:genre "Criticism, interpretation, etc."@en ;
    schema:genre "Biography"@en ;
    schema:inLanguage "en" ;
    schema:name "The sound of tomorrow : how electronic music was smuggled into the mainstream"@en ;
    schema:numberOfPages "272" ;
    schema:productID "777652910" ;
    schema:publication <http://www.worldcat.org/title/-/oclc/777652910#PublicationEvent/new_york_bloomsbury_2012> ;
    schema:publisher <http://experiment.worldcat.org/entity/work/data/1191395641#Agent/bloomsbury> ; # Bloomsbury
    schema:url <http://catdir.loc.gov/catdir/enhancements/fy1412/2013560242-t.html> ;
    schema:workExample <http://worldcat.org/isbn/9780826424525> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/777652910> ;
    .


Related Entities

<http://dbpedia.org/resource/New_York_City> # New York
    a schema:Place ;
    schema:name "New York" ;
    .

<http://experiment.worldcat.org/entity/work/data/1191395641#Topic/elektronische_musik> # Elektronische Musik
    a schema:Intangible ;
    schema:name "Elektronische Musik"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/1191395641#Topic/popular_music_history_and_criticism> # Popular music--History and criticism
    a schema:Intangible ;
    schema:name "Popular music--History and criticism"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/1191395641#Topic/unterhaltungsmusik> # Unterhaltungsmusik
    a schema:Intangible ;
    schema:name "Unterhaltungsmusik"@en ;
    .

<http://id.loc.gov/authorities/subjects/sh2008102948> # Electronic music--History and criticism
    a schema:Intangible ;
    schema:name "Electronic music--History and criticism"@en ;
    .

<http://id.worldcat.org/fast/1071422> # Popular music
    a schema:Intangible ;
    schema:name "Popular music"@en ;
    .

<http://id.worldcat.org/fast/907363> # Electronic music
    a schema:Intangible ;
    schema:name "Electronic music"@en ;
    .

<http://viaf.org/viaf/235073314> # Mark Brend
    a schema:Person ;
    schema:familyName "Brend" ;
    schema:givenName "Mark" ;
    schema:name "Mark Brend" ;
    .

<http://worldcat.org/isbn/9780826424525>
    a schema:ProductModel ;
    schema:isbn "082642452X" ;
    schema:isbn "9780826424525" ;
    .

<http://www.worldcat.org/title/-/oclc/777652910>
    a genont:InformationResource, genont:ContentTypeGenericResource ;
    schema:about <http://www.worldcat.org/oclc/777652910> ; # The sound of tomorrow : how electronic music was smuggled into the mainstream
    schema:dateModified "2015-02-20" ;
    void:inDataset <http://purl.oclc.org/dataset/WorldCat> ;
    .


Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.