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Sound tracks : popular music, identity, and place

Author: John Connell; Chris Gibson
Publisher: London ; New York : Routledge, 2003.
Series: Critical geographies, 17.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
"Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts." "Sound Tracks traces the ways in which  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Connell, John, 1946-
Sound tracks.
London ; New York : Routledge, 2003
(DLC) 2002068163
(OCoLC)48678431
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: John Connell; Chris Gibson
ISBN: 0415170273 9780415170277 0415170281 9780415170284 0203448391 9780203448397
OCLC Number: 53833983
Description: 1 online resource (xii, 320 pages) : illustrations.
Contents: Into the music --
Music and place : 'fixing authenticity' --
Music and movement : overcoming space --
The place of lyrics --
Sounds and scenes : a place for music? --
Music communities : national identity, ethnicity, and place --
New worlds : music from the margins? --
A world of flows : music, mobility, and transnational soundscapes --
Aural architecture : the spaces of music --
Marketing place : music and tourism --
Terra Digitalia? : music, copyright, and territory in the information age --
The long and winding road--
Series Title: Critical geographies, 17.
Responsibility: John Connell and Chris Gibson.
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Abstract:

Sound Tracks traces the relationships between music, space and identity from inner city 'scenes' to the music of nations, to give a wide-ranging perspective on popular music.  Read more...

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.."."a broad and deep compendium""Connell and Gibson deeply enrich our ability to traverse this seemingly infinite scholarly terrain..""No.1, Vol.28; Pg.126-Popular Music and Society, February 1, 2005 Read more...

 
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