omitir hasta el contenido
Sounding the gallery : video and the rise of art-music Ver este material de antemano
CerrarVer este material de antemano
Chequeando…

Sounding the gallery : video and the rise of art-music

Autor: Holly Rogers, (Professor of music)
Editorial: Oxford ; New York : Oxford University Press, ©2013.
Serie: Oxford music/media series.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that  Leer más
Calificación:

(todavía no calificado) 0 con reseñas - Ser el primero.

Temas
Más materiales como éste

 

Encontrar un ejemplar en la biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que tienen este material…

Detalles

Género/Forma: Criticism, interpretation, etc
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Holly Rogers, (Professor of music)
ISBN: 9780199861422 0199861420 9780199861408 0199861404
Número OCLC: 804491610
Descripción: xi, 231 pages : illustrations ; 24 cm.
Contenido: Composing with technology : the artist-composer --
Silent music and static motion : the audiovisual history of video --
Towards the spatial : music, art and the audiovisual environment --
The rise of video art-music : 1963-1970 --
Interactivity, mirrored spaces and the closed-circuit feed : performing video --
Epilogue: towards the twenty-first century.
Título de la serie: Oxford music/media series.
Responsabilidad: Holly Rogers.
Más información:

Resumen:

Sounding the Gallery argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during  Leer más

Reseñas

Reseñas editoriales

Resumen de la editorial

a lucid and thorough introduction Louise Gray, The Wire this study of the rise of art-music is both comprehensive and immensely readable ... Rogers knows the field inside and out, and she writes in Leer más

 
Reseñas contribuidas por usuarios
Recuperando reseñas de GoodReads…
Recuperando reseñas de DOGObooks…

Etiquetas

Ser el primero.

Materiales similares

Temas relacionados:(5)

Listas de usuarios con este material (5)

Confirmar este pedido

Ya ha pedido este material. Escoja OK si desea procesar el pedido de todos modos.

Datos enlazados


<http://www.worldcat.org/oclc/804491610>
library:oclcnum"804491610"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/804491610>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2013"
schema:creator
schema:datePublished"2013"
schema:description"Composing with technology : the artist-composer -- Silent music and static motion : the audiovisual history of video -- Towards the spatial : music, art and the audiovisual environment -- The rise of video art-music : 1963-1970 -- Interactivity, mirrored spaces and the closed-circuit feed : performing video -- Epilogue: towards the twenty-first century."@en
schema:description"Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that questioned conventional habits of music and art consumption. This book explores the first decade of creative video work, focusing on the ways in which video technology was used to dissolve the boundaries between art and music [Publisher description]."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1149104128>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Sounding the gallery : video and the rise of art-music"@en
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Cerrar ventana

Inicie una sesión con WorldCat 

¿No tienes una cuenta? Puede fácilmente crear una cuenta gratuita.