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Sounding the gallery : video and the rise of art-music

Auteur : Holly Rogers, (Professor of music)
Éditeur : Oxford ; New York : Oxford University Press, ©2013.
Collection : Oxford music/media series.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Holly Rogers, (Professor of music)
ISBN : 9780199861422 0199861420 9780199861408 0199861404
Numéro OCLC : 804491610
Description : xi, 231 pages : illustrations ; 24 cm.
Contenu : Composing with technology : the artist-composer --
Silent music and static motion : the audiovisual history of video --
Towards the spatial : music, art and the audiovisual environment --
The rise of video art-music : 1963-1970 --
Interactivity, mirrored spaces and the closed-circuit feed : performing video --
Epilogue: towards the twenty-first century.
Titre de collection : Oxford music/media series.
Responsabilité : Holly Rogers.
Plus d’informations :

Résumé :

Sounding the Gallery argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during  Lire la suite...

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a lucid and thorough introduction Louise Gray, The Wire this study of the rise of art-music is both comprehensive and immensely readable ... Rogers knows the field inside and out, and she writes in Lire la suite...

 
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