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Sounding the gallery : video and the rise of art-music

著者: Holly Rogers, (Professor of music)
出版: Oxford ; New York : Oxford University Press, ©2013.
シリーズ: Oxford music/media series.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Holly Rogers, (Professor of music)
ISBN: 9780199861422 0199861420 9780199861408 0199861404
OCLC No.: 804491610
物理形態: xi, 231 pages : illustrations ; 24 cm.
コンテンツ: Composing with technology : the artist-composer --
Silent music and static motion : the audiovisual history of video --
Towards the spatial : music, art and the audiovisual environment --
The rise of video art-music : 1963-1970 --
Interactivity, mirrored spaces and the closed-circuit feed : performing video --
Epilogue: towards the twenty-first century.
シリーズタイトル: Oxford music/media series.
責任者: Holly Rogers.
その他の情報:

概要:

Sounding the Gallery argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during  続きを読む

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a lucid and thorough introduction Louise Gray, The Wire this study of the rise of art-music is both comprehensive and immensely readable ... Rogers knows the field inside and out, and she writes in 続きを読む

 
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