pular para conteúdo
Sounding the gallery : video and the rise of art-music Ver prévia deste item
FecharVer prévia deste item
Checando...

Sounding the gallery : video and the rise of art-music

Autor: Holly Rogers, (Professor of music)
Editora: Oxford ; New York : Oxford University Press, ©2013.
Séries: Oxford music/media series.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that  Ler mais...
Classificação:

(ainda não classificado) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Gênero/Forma: Criticism, interpretation, etc
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Holly Rogers, (Professor of music)
ISBN: 9780199861422 0199861420 9780199861408 0199861404
Número OCLC: 804491610
Descrição: xi, 231 pages : illustrations ; 24 cm.
Conteúdos: Composing with technology : the artist-composer --
Silent music and static motion : the audiovisual history of video --
Towards the spatial : music, art and the audiovisual environment --
The rise of video art-music : 1963-1970 --
Interactivity, mirrored spaces and the closed-circuit feed : performing video --
Epilogue: towards the twenty-first century.
Título da Série: Oxford music/media series.
Responsabilidade: Holly Rogers.
Mais informações:

Resumo:

Sounding the Gallery argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during  Ler mais...

Críticas

Críticas editoriais

Nielsen BookData

a lucid and thorough introduction Louise Gray, The Wire this study of the rise of art-music is both comprehensive and immensely readable ... Rogers knows the field inside and out, and she writes in Ler mais...

 
Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.

Ítens Similares

Assuntos Relacionados:(5)

Listas de usuários com este item (5)

Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/804491610>
library:oclcnum"804491610"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/804491610>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2013"
schema:creator
schema:datePublished"2013"
schema:description"Composing with technology : the artist-composer -- Silent music and static motion : the audiovisual history of video -- Towards the spatial : music, art and the audiovisual environment -- The rise of video art-music : 1963-1970 -- Interactivity, mirrored spaces and the closed-circuit feed : performing video -- Epilogue: towards the twenty-first century."@en
schema:description"Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that questioned conventional habits of music and art consumption. This book explores the first decade of creative video work, focusing on the ways in which video technology was used to dissolve the boundaries between art and music [Publisher description]."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1149104128>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Sounding the gallery : video and the rise of art-music"@en
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.