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Sounding the gallery : video and the rise of art-music

著者: Holly Rogers, (Professor of music)
出版商: Oxford ; New York : Oxford University Press, ©2013.
丛书: Oxford music/media series.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that  再读一些...
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类型/形式: Criticism, interpretation, etc
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Holly Rogers, (Professor of music)
ISBN: 9780199861422 0199861420 9780199861408 0199861404
OCLC号码: 804491610
描述: xi, 231 pages : illustrations ; 24 cm.
内容: Composing with technology : the artist-composer --
Silent music and static motion : the audiovisual history of video --
Towards the spatial : music, art and the audiovisual environment --
The rise of video art-music : 1963-1970 --
Interactivity, mirrored spaces and the closed-circuit feed : performing video --
Epilogue: towards the twenty-first century.
丛书名: Oxford music/media series.
责任: Holly Rogers.
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摘要:

Sounding the Gallery argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during  再读一些...

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a lucid and thorough introduction Louise Gray, The Wire this study of the rise of art-music is both comprehensive and immensely readable ... Rogers knows the field inside and out, and she writes in 再读一些...

 
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