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Soundtrack available : essays on film and popular music

Author: Pamela Robertson Wojcik; Arthur Knight
Publisher: Durham : Duke University Press, 2001.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This study of the relationship between popular music-based soundtracks and movies offers detailed analysis of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring.
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Genre/Form: Essays
Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Soundtrack available.
Durham, N.C. : Duke University Press, 2001
(DLC) 2001033706
(OCoLC)47002191
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Pamela Robertson Wojcik; Arthur Knight
ISBN: 9780822380986 0822380986
OCLC Number: 226068297
Description: 1 online resource (x, 491 pages) : illustrations
Contents: Overture / Arthur Knight and Pamela Robertson Wojcik --
Cinema and popular song : the lost tradition / Rick Altman --
Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow --
"The future's not ours to see" : song, singer, labyrinth in Hitchcock's The man who knew too much / Murray Pomerance --
"You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker --
Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken --
Flower of the asphalt : the chanteuse réaliste in 1930s French cinema / Kelley Conway --
The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar --
Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick --
Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching --
Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper --
Documented/documentary Asians : Gurinder Chadha's I'm British but--
and the musical mediation of sonic and visual identities / Nabeel Zuberi --
Class swings : music, race, and social mobility in Broken strings / Adam Knee --
Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard --
"It ain't necessarily so that it ain't necessarily so" : African American recordings of Porgy and Bess as film and cultural criticism / Arthur Knight --
"Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill --
Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur --
Popular songs and comic allusion in contemporary cinema / Jeff Smith --
The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.
Responsibility: edited by Pamela Robertson Wojcik and Arthur Knight.

Abstract:

From the silent era to the present day, popular music has been a key component of the film experience. This title aims to fill this gap, as its contributors provide detailed analyses of individual  Read more...

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"From Bollywood to Hollywood, Wim Wenders to Wong Kar-Wai, popular music permeates movies. Rigorous scholarship has finally begun to catch up with this phenomenon to make sense of its rich and varied Read more...

 
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