|提及的人：||Doris Humphrey; Doris Humphrey|
Ernestine Stodelle; Doris Humphrey; Stephanie Clemens; Amy Reusch; Johann Sebastian Bach; Doris Humphrey Society.; Princeton Book Company.; Dance Horizons Video (Firm)
|注意：||First Dance Horizons DVD release; original copyright c1997 by The Doris Humphrey Society.|
|餘額：||Camera, Amy Reusch, Jason Prost, Edmond Chibeau ; editor, Amy Reusch.|
|表演者：||[Part 1]. Danced in 1934 film by Doris Humphrey, Cleo Atheneos, Ernestine Stodelle, Hyla Rubin, Dorothy Lathrop.
[Part 2]. Danced in coaching session by Raphael Ziemba, Regina Wilken, Stephanie Clemens, Jeanne Warner, Maya Joseph.
[Part 3]. Danced in concluding performance (1995) by the Silo Chamber Dancers: Siobhan Simisky, Katherine Blalock, Sandra Kaufman, Catherine Connal, Lydia Saad ; artistic director, Ernestine Stodelle.
|活動注釋：||Filmed on location
Fifth Annual Doris Humphrey Technique Workshop
Filmed on location
Sixth Annual Doris Humphrey Technique Workshop
|描述：||1 videodisc (90 min.) : sound, color with black and white sequences ; 4 3/4 in.|
|詳述：||DVD; NTSC; 4:3 presentation; Dolby digital 2.0.|
|叢書名：||Doris Humphrey legacy.|
|其他題名：||Air for the G string :
Air for the G string (Choreographic work : Humphrey)
|責任：||the National Doris Humphrey Society in collaboration with Princeton Book Company, publishers [and 3 others] present ; coaching, commentaries by Ernestine Stodelle ; choreography by Doris Humphrey ; music by Johann Sebastian Bach ; performed by the Doris Humphrey Workshop Dancers ; project director, Stephanie Clemens ; video director, Amy Reusch.|
Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b & w film of the work, recorded in 1934 with Doris Humphrey as the central dancer, is screened in full at the beginning and end of the coaching session, and excerpts from this film precede each section. A full performance of the work, recorded in 1995, concludes the tape.