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Spectacles of strangeness : imperialism, alienation, and Marlowe

著者: Emily Carroll Bartels
出版商: Philadelphia : University of Pennsylvania Press, ©1993.
版本/格式:   电子图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Oriental barbarians, black magicians, homosexuals, African queens and kings, Machiavellian Christians, Turks, and Jews - for an English audience of the sixteenth century, these are marginal, unorthodox, and strange figures. They are also the central figures in the plays of Christopher Marlowe. In Spectacles of Strangeness, Emily C. Bartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and  再读一些...
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详细书目

类型/形式: Electronic books
附加的形体格式: Print version:
Bartels, Emily Carroll.
Spectacles of strangeness.
Philadelphia : University of Pennsylvania Press, c1993
(DLC) 92045865
(OCoLC)27266474
提及的人: Christopher Marlowe; Christopher Marlowe
材料类型: 互联网资源
文件类型: 互联网资源, 计算机文档
所有的著者/提供者: Emily Carroll Bartels
ISBN: 0585126445 9780585126449
OCLC号码: 44959946
复制注解: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
描述: 1 online resource (xvii, 221 p.)
详述: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
责任: Emily C. Bartels.

摘要:

Oriental barbarians, black magicians, homosexuals, African queens and kings, Machiavellian Christians, Turks, and Jews - for an English audience of the sixteenth century, these are marginal, unorthodox, and strange figures. They are also the central figures in the plays of Christopher Marlowe. In Spectacles of Strangeness, Emily C. Bartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use - and subversion - of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as a vital presence on the Renaissance stage and within Renaissance society. Bartels further examines the reasons that Marlowe (himself a marginalized figure as playwright, and reputedly a homosexual, spy, and atheist) turned again and again to the subject. Bartels argues that what makes Marlowe's dramas so remarkable, important, and subversive is that he evokes these cultural stereotypes only to undermine them: to expose the circumscription of difference as a political strategy, designed to advance the self, state, and status quo over and against some "other." By interrogating Marlowe's works and their relation to England's imperialism, the author helps to explain why the "alien" was such a prominent figure in the Renaissance's theatrical and extra-theatrical discourses and how imperialism influenced the development of the early modern theater and the early modern state. Drawing on new historicist methodologies and recent assessments of colonialist discourse, Spectacles of Strangeness is a stimulating study of one of the most important figures in Renaissance literature and drama.

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