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St. Joseph in Italian Renaissance society and art : new directions and interpretations

Author: Carolyn C Wilson
Publisher: Philadelphia : Saint Joseph's University Press, ©2001.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"This study assembles for the first time a wealth of evidence of cult veneration of St. Joseph in Renaissance Italy. From this base, Carolyn Wilson argues for broad revision of our understanding of devotion to St. Joseph during the late pre-Tridentine period. She newly indicates an important role for Renaissance Italy in the history of St. Joseph's liturgical exaltation."
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Details

Genre/Form: Art
Additional Physical Format: Online version:
Wilson, Carolyn C.
St. Joseph in Italian Renaissance society and art.
Philadelphia : Saint Joseph's University Press, ©2001
(OCoLC)606656398
Named Person: Joseph, Saint; Josef, von Nazareth; Joseph <saint> - Art.; Joseph, saint; Josef, von Nazareth.; Joseph, (saint); Joseph, (saint); Josef, von Nazareth.; Joseph, Saint.
Document Type: Book
All Authors / Contributors: Carolyn C Wilson
ISBN: 0916101363 9780916101367
OCLC Number: 44914108
Description: xiii, 281 pages : illustrations (some color), color map ; 27 cm
Contents: Map of Northern and Central Italy --
pt. I. New Directions: Re-Examining and Re-Evaluating the Pre-Tridentine Cult of St. Joseph. Overview of St. Joseph's Theology and Devotion in the Pre-Tridentine Period. Historiographic and Art Historiographic Issues. Highlighting the Cult of St. Joseph in Northern and Central Italy, ca. 1480-1522 --
pt. II. New Interpretations: Looking at the St. Joseph Altarpiece and Seeing St. Joseph as a Figure of Cult. The Betrothal of the Virgin (Sposalizio) and the Nativity with Angels and Shepherds (Presepio): St. Joseph's Titles and the Mariegola from San Silvestro, Venice.
Other Titles: Saint Joseph in Italian Renaissance society and art
Responsibility: by Carolyn C. Wilson.

Abstract:

"This study assembles for the first time a wealth of evidence of cult veneration of St. Joseph in Renaissance Italy. From this base, Carolyn Wilson argues for broad revision of our understanding of devotion to St. Joseph during the late pre-Tridentine period. She newly indicates an important role for Renaissance Italy in the history of St. Joseph's liturgical exaltation."

"Detecting numerous occasions when Joseph is invoked for protection from plague, foreign invasion, and threat to the Church, the author emphasizes the contemporary currency - in both theology and art - of the Maria-Ecclesia typology and concomitant conceptualization of St. Joseph as heroic protector of Mary and the Church. Here challenged are the long-held view of the saint's unimportance prior to the Counter Reformation and old assumption that pre-Tridentine images were often intended to demean him."--Jacket.

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