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Stan Brakhage : hand-painted films.

Author: Stan Brakhage; Sam Bush; Re:Voir Video (Firm)
Publisher: [Paris, France] : Re:Voir Video, 2000.
Edition/Format:   VHS video : VHS tape   Visual material : EnglishView all editions and formats
Database:WorldCat
Summary:
Originally interested in abstract expressionist painting, Stan Brakhage steadily completed over 300 films in fifty years. His project of recreating "closed eye vision" in the camera led him to these entirely hand-painted films which are so well-knit and ultimately so rich that there is no need for sound.
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Genre/Form: Short films
Silent films
Experimental films
Independent films
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Stan Brakhage; Sam Bush; Re:Voir Video (Firm)
OCLC Number: 45032320
Notes: "Film is to be considered a collaboration with Sam Bush, optical printer at Western Cine, in the sense that I was the composer, he the visual musician"--Closing credit on last 3 films.
Title from container.
"All selections silent."
"Includes texts by Brakhage."
Credits: "Film is to be considered a collaboration with Sam Bush, optical printer at Western Cine, in the sense that I was the composer, he the visual musician"--Closing credit on last 3 films.
Description: 1 videocassette (36 min.) : si., color ; 1/2 in.
Details: VHS.
Contents: Night music (1986, 1 min.) --
Autumnal (1933, 5 min.) --
Study in color and black on white (1998, 3 min.) --
Three Homerics (1993, 6 min.) --
Ephemeral solidity (1993, 5 min.) --
Harrowing & tryst haunt (1993, 5 min.) --
Stellar (1993, 3 min.) --
Black ice (1994, 2 min.) --
Chartres series (1994, 9 min.) --
Naughts (1994, 6 min.).
Other Titles: Night music.
Autumnal.
Study in color and black and white.
Three homerics.
Ephemeral solidity.
Harrowing & Tryst haunt.
Harrowing.
Tryst haunt.
Stellar.
Black ice.
Chartres series.
Naughts.
Hand-painted films

Abstract:

Originally interested in abstract expressionist painting, Stan Brakhage steadily completed over 300 films in fifty years. His project of recreating "closed eye vision" in the camera led him to these entirely hand-painted films which are so well-knit and ultimately so rich that there is no need for sound.

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Primary Entity

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