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|Genre/Form:||Criticism, interpretation, etc|
|Named Person:||Stanford White; Stanford White; Stanford White|
|All Authors / Contributors:||
Samuel G White; Elizabeth White
|Description:||350 pages : illustrations (some color) ; 32 cm|
|Contents:||1. The architect as client. Box Hill, Saint James, New York ; Gramercy Park, New York --
2. Collaboration. Admiral David Glasgow Farragut Monument, New York ; Veterans Room and Library, Seventh Regiment Armory, New York ; Villard Houses, New York ; Church of the Ascension, New York --
3. Houses. Alden Villa, Cornwall, Pennsylvania ; Isaac Bell House, Newport, Rhode Island ; Garrett-Jacobs House, Baltimore, Maryland ; Head of the Harbor, Saint James, New York ; Stuyvesant Fish House, New York ; Rosecliff, Newport, Rhode Island ; Payne Whitney House, New York --
4. Architecture of assembly. Newport Casino Theatre, Newport, Rhode Island ; The Players, New York ; The Century Association, New York ; Metropolitan Club, New York ; Ferncliff Casino, Rhinebeck, New York --
5. Public buildings. Lovely Lane Methodist Church, Baltimore, Maryland ; Madison Square Garden, New York ; Herald Building, New York ; Gould Library, New York University, Bronx, New York ; Madison Square Presbyterian Church, New York ; Tiffany & Co., New York.
|Responsibility:||Samuel G. White, Elizabeth White ; photographs by Jonathan Wallen.|
"The lavish photographs, particularly the archival images of White buildings that have been demolished, such as the New York Herald Building and the original Madison Square Garden, are sure to make