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Stanley Sadie's music guide : an introduction

著者: Stanley Sadie; Alison Latham
出版: Englewood Cliffs, N.J. : Prentice-Hall, ©1986.
エディション/フォーマット:   書籍 : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
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その他のフォーマット: Online version:
Sadie, Stanley.
Stanley Sadie's music guide.
Englewood Cliffs, N.J. : Prentice-Hall, ©1986
(OCoLC)652283249
ドキュメントの種類: 図書
すべての著者/寄与者: Stanley Sadie; Alison Latham
ISBN: 0136079296 9780136079293
OCLC No.: 12877400
物理形態: 544 pages, [32] pages of plates : illustrations (some color) ; 25 cm
コンテンツ: II. The elements of music : Notation --
Rhythm --
Melody --
Key, tonality --
Harmony --
Counterpoint, polyphony --
Color, dynamics --
II. The instruments of music : Voice --
Strings : Bowed ; Plucked ; Keyboard --
Wind instruments : Woodwind ; Brass ; Organ --
Percussion --
Electronic instruments --
Orchestras, bands and ensembles --
Listening note II : Britten: Young Person's Guide to the Orchestra --
III. The structure of music : Musical form : The main forms --
Genres : Orchestra ; Chamber 71 ; Keyboard ; Sacred vocal ; Secular vocal ; Dramatic --
IV. The Middle Ages / Judith Nagley : Music of the church --
Secular song --
Early polyphony : Leonin, Perotin --
The motet --
Ars Nova : Vitry ; Machaut ; Secular polyphony : Landini ; Ciconia --
Instrumental music --
England : Dunstable Listening note IV. Guiot de Dijon: Chanterai por moncorage --
Perotin: Viderunt omnes, excerpt --
Cachaut: Messe de Nostre Dame, Kyrie --
Landini: Ecco la Primavera --
Dunstable: O rosa bella --
V. The Renaissance / Judith Nagley : The Franco-Flemish composers : Dufay ; Binchois ; Ockeghem ; Josquin ; Isaac ; Janequin ; Lassus --
Italy : Palestrina ; The Gabrielis ; Marenzio ; Gesuado --
Spain : Victoria --
England : Byrd ; The English madrigalists --
Ensemble music --
Keyboard music --
Lute music : Dowland --
Listening note V. Dufay: Ce moys de may --
Josquin Desprez: Nymphes des bois --
Lassus: Alma redemptoris mater --
Palestrina: Missa brevis, Kyrie --
G --
Gabrieli: Canzon XIII (1597) --
Marenzio: I must depart all hapless --
Byrd: Ave verum corpus --
Weelkes: As Vesta was --
Bull: Coranto "Alarm" --
Dowland: I must complain --
VI. The Baroque era : Monteverdi --
Early and middle Baroque in Italy : Frescobaldi ; Cavalli ; Carissimi --
Northern Europe: early-middle Baroque : Shutz ; Buxtehude --
England : Purcell --
France : Lully ; Couperin ; Rameau --
The Italian late Baroque : Alessandro Scarlatti ; Corelli ; Vivaldi ; Domencio Scarlatti --
Late baroque Germany : Telemann ; Bach ; Handel --
Listening note VI. Monteverdi: Orfeo, excerpt --
Purcell: Dido and Aeneas, excerpt --
Rameau: Hippolyte et Aricie, excerpt --
Vivaldi: Violin Concerto in A minor, op --
3 no 6, 1st movement --
Bach: Brandenburg concerto no --
4 --
Bach: Prelude and Fugue in C minor, from the "48", Book I --
Handel: Acis and Galatea, excerpt --
Handel: Messiah, excerpt --
VII. The Classical Era : Gluck --
Stamitz --
C --
P --
E --
Bach --
J --
C --
Bach --
Haydn --
Mozart --
Boccherini --
Clementi --
Beethoven --
Listening note VII. Haydn: Symphony no --
104, 1st movement --
Haydn: String Quartet in C, op --
76 no --
3 --
, 2nd/3rd movements --
Mozart: The Marriage of Figaro, excerpt --
Mozart: Piano Concerto in G, K 453, 1st movement --
Beethoven: Symphony no --
3, 1st movement --
VIII. The Romantic Era : Schubert --
Early Romanticism in Germany : Weber ; Mendelssohn ; Schumann --
Romanticism outside Germany and Austria : Chopin ; Liszt ; Berlioz --
Italy : Rossini ; Donizetti --
The operatic masters: Verdi and Wagner : Verdi ; Wagner ; Brahms --
Listening note VIII. Schubert: String Quintet in C, D 956, 1st movement --
Schumann: Dichterliebe, excerpt --
Chopin: Mazurka no --
45 --
Berlioz: Roman Carnival, overture --
Wagner: Tristan und Isolde, prelude --
Brahms: Symphony no --
1, 1st movement --
IX. The turn of the century/ Paul Griffiths : Russian nationalism : Tchaikovsky ; Balakirev ; Mussorgsky ; Borodin ; Rimsky-Korsakov ; Rachmaninov --
East European nationalism : Smetana ; Dvorak ; Janacek --
Vienna : Wolf ; Bruckner ; Mahler ; Strauss --
Northern Europe : Sibelius ; Elgar --
France : Debussy ; ravel --
Italy : Puccini --
Listening note IX. Tchaikovsky: Symphony No --
4, 1st movement --
Mahler: Das Lied von der Erde, 5th movement --
Strauss: Till Eulenspiegel --
Debussy: Prelude a "L'Apres-midi d'un Faune" --
X. Modern times/ Paul Griffiths : The second Viennese school : Schoenberg ; Berg ; Webern --
The radical alternative : Stravinsky --
The Central European crossroads : Bartok ; Hindemith ; Weill ; Orff ; Poulenc ; Les Six, Satie ; Falla --
America: the "ultra-moderns" : Ives ; Cowell ; Varese --
The American mainstream : Copland ; Carter ; Bernstein ; Menotti ; Latin America ; Villa-Lobos ; Ginastera --
Britain and the Soviet Union : Vaughan Williams ; Holst ; Delius ; Prokofiev ; Shostakovich ; Britten ; Tippett --
Since 1945 : Messaien ; Boulez ; Stockhausen ; Henze ; Berio ; Cage ; Lutoslawski, Penderecki ; Xenakis ; Ligeti ; The minimalists --
Listening note X. Schoenberg: Pierrot lunaire, excerpt --
Webern: Six Bagatelles no --
4 --
Stravinsky: Symphony in C, 1st movement --
Bartok: Concerto for Orchestra, 1st movement --
Ives: Three Places in New England, no --
2 --
Britten: Serenade, excerpt ; Messiaen: Vingt regards sur l'Enfant-Jesus, no --
18 --
Stockhausen: Gesang der Junglinge, excerpt --
XI. The traditions of popular music/ Wilfrid Mellers : Blues and ragtime : Blues ; Ragtime ; Piano jazz ; Blues singing --
Jazz : New Orleans ; American musical : Swing era ; Cabaret singers ; Instrumentalists --
White country music : Bluegrass ; Rock : Music theater, rock musicals.
その他のタイトル: Music guide
Music guide
責任者: edited by Stanley Sadie ; with Alison Latham.

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schema:description"Listening note IV. Guiot de Dijon: Chanterai por moncorage -- Perotin: Viderunt omnes, excerpt -- Cachaut: Messe de Nostre Dame, Kyrie -- Landini: Ecco la Primavera -- Dunstable: O rosa bella -- V. The Renaissance / Judith Nagley : The Franco-Flemish composers : Dufay ; Binchois ; Ockeghem ; Josquin ; Isaac ; Janequin ; Lassus -- Italy : Palestrina ; The Gabrielis ; Marenzio ; Gesuado -- Spain : Victoria -- England : Byrd ; The English madrigalists -- Ensemble music -- Keyboard music -- Lute music : Dowland -- Listening note V. Dufay: Ce moys de may -- Josquin Desprez: Nymphes des bois -- Lassus: Alma redemptoris mater -- Palestrina: Missa brevis, Kyrie -- G -- Gabrieli: Canzon XIII (1597) -- Marenzio: I must depart all hapless -- Byrd: Ave verum corpus -- Weelkes: As Vesta was -- Bull: Coranto "Alarm" -- Dowland: I must complain -- VI. The Baroque era : Monteverdi -- Early and middle Baroque in Italy : Frescobaldi ; Cavalli ; Carissimi -- Northern Europe: early-middle Baroque : Shutz ; Buxtehude -- England : Purcell -- France : Lully ; Couperin ; Rameau -- The Italian late Baroque : Alessandro Scarlatti ; Corelli ; Vivaldi ; Domencio Scarlatti -- Late baroque Germany : Telemann ; Bach ; Handel -- Listening note VI. Monteverdi: Orfeo, excerpt -- Purcell: Dido and Aeneas, excerpt -- Rameau: Hippolyte et Aricie, excerpt -- Vivaldi: Violin Concerto in A minor, op -- 3 no 6, 1st movement -- Bach: Brandenburg concerto no -- 4 -- Bach: Prelude and Fugue in C minor, from the "48", Book I -- Handel: Acis and Galatea, excerpt -- Handel: Messiah, excerpt -- VII. The Classical Era : Gluck -- Stamitz -- C -- P -- E -- Bach -- J -- C -- Bach -- Haydn -- Mozart -- Boccherini -- Clementi -- Beethoven -- Listening note VII. Haydn: Symphony no -- 104, 1st movement -- Haydn: String Quartet in C, op -- 76 no -- 3 -- , 2nd/3rd movements -- Mozart: The Marriage of Figaro, excerpt -- Mozart: Piano Concerto in G, K 453, 1st movement -- Beethoven: Symphony no -- 3, 1st movement -- VIII. The Romantic Era : Schubert -- Early Romanticism in Germany : Weber ; Mendelssohn ; Schumann -- Romanticism outside Germany and Austria : Chopin ; Liszt ; Berlioz -- Italy : Rossini ; Donizetti -- The operatic masters: Verdi and Wagner : Verdi ; Wagner ; Brahms -- Listening note VIII. Schubert: String Quintet in C, D 956, 1st movement -- Schumann: Dichterliebe, excerpt -- Chopin: Mazurka no -- 45 -- Berlioz: Roman Carnival, overture -- Wagner: Tristan und Isolde, prelude -- Brahms: Symphony no -- 1, 1st movement -- IX. The turn of the century/ Paul Griffiths : Russian nationalism : Tchaikovsky ; Balakirev ; Mussorgsky ; Borodin ; Rimsky-Korsakov ; Rachmaninov -- East European nationalism : Smetana ; Dvorak ; Janacek -- Vienna : Wolf ; Bruckner ; Mahler ; Strauss -- Northern Europe : Sibelius ; Elgar -- France : Debussy ; ravel -- Italy : Puccini -- Listening note IX. Tchaikovsky: Symphony No -- 4, 1st movement -- Mahler: Das Lied von der Erde, 5th movement -- Strauss: Till Eulenspiegel -- Debussy: Prelude a "L'Apres-midi d'un Faune" -- X. Modern times/ Paul Griffiths : The second Viennese school : Schoenberg ; Berg ; Webern -- The radical alternative : Stravinsky -- The Central European crossroads : Bartok ; Hindemith ; Weill ; Orff ; Poulenc ; Les Six, Satie ; Falla -- America: the "ultra-moderns" : Ives ; Cowell ; Varese -- The American mainstream : Copland ; Carter ; Bernstein ; Menotti ; Latin America ; Villa-Lobos ; Ginastera -- Britain and the Soviet Union : Vaughan Williams ; Holst ; Delius ; Prokofiev ; Shostakovich ; Britten ; Tippett -- Since 1945 : Messaien ; Boulez ; Stockhausen ; Henze ; Berio ; Cage ; Lutoslawski, Penderecki ; Xenakis ; Ligeti ; The minimalists -- Listening note X. Schoenberg: Pierrot lunaire, excerpt -- Webern: Six Bagatelles no -- 4 -- Stravinsky: Symphony in C, 1st movement -- Bartok: Concerto for Orchestra, 1st movement -- Ives: Three Places in New England, no -- 2 -- Britten: Serenade, excerpt ; Messiaen: Vingt regards sur l'Enfant-Jesus, no -- 18 -- Stockhausen: Gesang der Junglinge, excerpt -- XI. The traditions of popular music/ Wilfrid Mellers : Blues and ragtime : Blues ; Ragtime ; Piano jazz ; Blues singing -- Jazz : New Orleans ; American musical : Swing era ; Cabaret singers ; Instrumentalists -- White country music : Bluegrass ; Rock : Music theater, rock musicals."@en
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