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|Named Person:||Steve Earle; Steve Earle; John Walker Lindh|
|Material Type:||Thesis/dissertation, Manuscript|
|Document Type:||Book, Archival Material|
|All Authors / Contributors:||
Jenée E Morgan
|Reproduction Notes:||Photocopy. Ann Arbor, Mich. : UMI Dissertation Services, 2012. iv, 79 p. ; 23 cm.|
|Description:||iv, 79 p. : ill., music ; 23 cm.|
|Contents:||Introduction : please don't shoot the messenger!!! --
Banned bands and jingostic jingles. The art of war and music censorship ; Commercializing and commiserating ; Good ol' American pride ; Country music and its repugnance for music evolution --
Authentic audacity : Steve Earle's musical daring. The convolution of authenticity in popular music ; Steve Earle's rebel life ; The two worlds of "John Walker's blues" ; Questioning the lyrics and motivation behind them ; Earle's Jerulalem as a political tool ; The other(s) "John Walker's blues" ; The authenticity of "John Walker's blues" --
Conclusion : ballad of Steve Earle.
|Other Titles:||Censorship, politics, and authenticity in a post nine-eleven song|
|Responsibility:||by Jenee E. Morgan.|