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Stocked : contemporary art from the grocery aisles

Auteur : Emily Stamey; Edwin A. Ulrich Museum of Art.; Scottsdale Museum of Contemporary Art.; Faulconer Gallery.; University of Wyoming. Art Museum.
Éditeur: Seattle : University of Washington Press, 2013.
Édition/format:   Livre imprimé : Publication gouvernementale provinciale ou d’état : AnglaisVoir toutes les éditions et tous les formats
Résumé:
Stocked documents the work of contemporary artists who take the grocery store and consumption of its products as their subjects. Much of their work candidly cites 1960s pop, but these artists also use strategies culled from minimalism, performance, documentary photography, and scientific taxonomy. Keen observers and clever humorists, they prompt us to pay attention to the items we purchase, the spaces in which we  Lire la suite...
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Détails

Genre/forme: Exhibition catalogs
Exhibitions
Type d’ouvrage: Publication gouvernementale, Publication gouvernementale provinciale ou d’état
Type de document: Livre
Tous les auteurs / collaborateurs: Emily Stamey; Edwin A. Ulrich Museum of Art.; Scottsdale Museum of Contemporary Art.; Faulconer Gallery.; University of Wyoming. Art Museum.
ISBN: 9781887883085 1887883088
Numéro OCLC: 811239063
Notes: "This book is published in conjunction with the exhibition Stocked: Contemporary Art from the Grocery Aisles, Ulrich Museum of Art, Wichita State University, January 19-April 14, 2013, Scottsdale Museum of Contemporary Art, May 25-September 1, 2013, Faulconer Gallery, Grinnell College, September 20-December 15, 2013, University of Wyoming Art Museum, March 15-June 1, 2014."
Description: 88 pages : illustrations (chiefly color) ; 28 cm
Contenu: Foreword and acknowledgments / Patricia McDonnell --
Stocked: contemporary art from the grocery aisles / Emily Stamey --
Artists in the exhibition --
Ulrich Museum of Art advisory board --
Sponsors --
Reproduction credits --
About the author.
Responsabilité: Emily Stamey.

Résumé:

Documents the work of contemporary artists who take the grocery store and consumption of its products as their subjects  Lire la suite...

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