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Storytelling in Christian art from Giotto to Donatello Titelvorschau
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Storytelling in Christian art from Giotto to Donatello

Verfasser/in: Jules Lubbock
Verlag: New Haven [Conn.] ; London : Yale University Press, ©2006.
Ausgabe/Format   Buch : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of  Weiterlesen…
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Gattung/Form: Illustrations
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Jules Lubbock
ISBN: 0300120133 9780300120134 0300117272 9780300117271
OCLC-Nummer: 62152898
Beschreibung: xiii, 353 pages : illustrations (some color) ; 26 cm
Inhalt: pt. I. 1298-1311 --
Divine and earthly justice in Duccio's Maestà --
Giotto : Scrovegni's Temple --
Giovanni Pisano's Pistoia pulpit --
The correct law : Giovanni Pisano's Pisa pulpit --
pt. II. 1401-1465 --
The second baptistery doors : Ghiberti and Brunelleschi --
Donatello's head of St. John and the invention of geometric perspective --
Masaccio's Brancacci Chapel frescoes --
Ghiberti's Gates of paradise --
Donatello's pulpits in San Lorenzo --
Conclusion : visible speech.
Verfasserangabe: Jules Lubbock.
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Abstract:

Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. This book examines some of the most famous of these pictorial narratives.  Weiterlesen…

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schema:reviewBody""Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church favoured the production of images that lent themselves to being read and interpreted in this way, and he describes the works themselves to demonstrate how the pleasurable activity of deciphering these meanings can work in practice." "This book is richly illustrated, and many of its photographs have been specially taken to show how the paintings and relief sculptures appear in the settings, for which they were originally designed. Seen from these viewpoints, they become more readily intelligible. Likewise, the starting point and the originality of Lubbock's interpretations lies in his accepting that these works of art were primarily designed to help people to reflect upon the ethical and religious significance of the biblical stories. The early Renaissance artists developed their highly innovative techniques to further these objectives, not as ends in themselves. Thus, the book aims to appeal to students, scholars and the general public, who are interested in Renaissance art and to those with a religious interest in biblical imagery."--Jacket."
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