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Stravinsky and the Russian traditions : a biography of the works through Mavra

Autor: Richard Taruskin
Editora: Berkeley : University of California Press, ©1996.
Edição/Formato   Print book : Biografia : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.
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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Sources
Pessoa Denominada: Igor Stravinsky; Igor Stravinsky; Igor Féodorovitch Stravinski; Igor Féodorovitch Stravinski; Igor Stravinsky; Igor Stravinsky
Tipo de Material: Biografia, Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Richard Taruskin
ISBN: 0520070992 9780520070998
Número OCLC: 28587068
Notas: "A Centennial book"--2nd prelim. page.
Descrição: 2 volumes ([2], xxiii, 1757 pages) : illustrations ; 27 cm
Conteúdos: V. 1. pt. 1: A walled-in artist --
pt. 2: A perfect symbiosis --
v. 2. pt. 3: Progressive abstraction --
pt. 4. On the cusp of the new classicism: a heritage redefined.
Responsabilidade: Richard Taruskin.
Mais informações:

Resumo:

Defines Stravinsky's relationship to the musical and artistic traditions of his native land and offers a different picture of one of the major figures in the history of music. This two-volume set  Ler mais...

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"A monumental two-volume study."--"New Yorker

 
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Primary Entity

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   schema:description "Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity--Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"--The professional appropriation of motifs and style characteristics from folk art--and how Stravinsky realized this ideal in his music."@en ;
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