doorgaan naar inhoud
Stravinsky and the Russian traditions : a biography of the works through Mavra Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Stravinsky and the Russian traditions : a biography of the works through Mavra

Auteur: Richard Taruskin
Uitgever: Berkeley : University of California Press, ©1996.
Editie/Formaat:   Boek : Biografie : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een online exemplaar

Links naar dit item

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genre/Vorm: Sources
Genoemd persoon: Igor Stravinsky; Igor Stravinsky; Igor Féodorovitch Stravinski; Igor Féodorovitch Stravinski; Igor Stravinsky
Genre: Biografie, Internetbron
Soort document: Boek, Internetbron
Alle auteurs / medewerkers: Richard Taruskin
ISBN: 0520070992 9780520070998
OCLC-nummer: 28587068
Opmerkingen: "A Centennial book"--2nd prelim. p.
Beschrijving: 2 v. ([2], xxiii, 1757 p.) : ill. ; 27 cm.
Inhoud: V. 1. pt. 1: A walled-in artist --
pt. 2: A perfect symbiosis --
v. 2. pt. 3: Progressive abstraction --
pt. 4. On the cusp of the new classicism: a heritage redefined.
Verantwoordelijkheid: Richard Taruskin.
Meer informatie:

Fragment:

During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.

Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity--Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"--the professional appropriation of motifs and style characteristics from folk art--and how Stravinsky realized this ideal in his music.

Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.

Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/28587068>
library:oclcnum"28587068"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/28587068>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/17309155>
rdf:typeschema:Person
schema:birthDate"1882"
schema:deathDate"1971"
schema:familyName"Stravinski"
schema:familyName"Stravinsky"
schema:givenName"Igor Féodorovitch"
schema:givenName"Igor"
schema:name"Stravinski, Igor Féodorovitch, 1882-1971"
schema:name"Stravinsky, Igor, 1882-1971"
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"1996"
schema:creator
schema:datePublished"1996"
schema:description"Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky."@en
schema:description"During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music."@en
schema:description"Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed."@en
schema:description"Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity--Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"--the professional appropriation of motifs and style characteristics from folk art--and how Stravinsky realized this ideal in his music."@en
schema:description"V. 1. pt. 1: A walled-in artist -- pt. 2: A perfect symbiosis -- v. 2. pt. 3: Progressive abstraction -- pt. 4. On the cusp of the new classicism: a heritage redefined."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/349862614>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Sources"@en
schema:inLanguage"en"
schema:name"Stravinsky and the Russian traditions : a biography of the works through Mavra"@en
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.