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Stravinsky : chronicle of a friendship

Auteur : Robert Craft
Éditeur : Nashville : Vanderbilt University Press, 1994.
Édition/format :   Livre électronique : Biographie : Anglais : Rev. and expanded edVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"For the last twenty-three years of Igor Stravinsky's incredibly full life, the noted musician, conductor, and writer Robert Craft was his closest colleague and friend, a trusted member of the Stravinsky household, and an important participant in virtually all of the composer's worldwide activities. Throughout these years, Craft kept a detailed diary, impressive in its powers of observation and characterization.  Lire la suite...
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Détails

Genre/forme : Electronic books
Biography
Diaries
Amigos y compañeros
Correspondencia, memorias, etc
Biografías
Format – détails additionnels : Print version:
Craft, Robert.
Stravinsky.
Nashville : Vanderbilt University Press, 1994
(DLC) 94012666
(OCoLC)30516737
Personne nommée : Igor Stravinsky; Robert Craft; Igor Fedorovich Stravinsky; Robert Craft; Igor Stravinsky; Robert Craft; Robert Craft; Igor Stravinsky
Type d’ouvrage : Biographie, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Robert Craft
ISBN : 058512079X 9780585120799
Numéro OCLC : 44959557
Notes : Includes indexes.
Notes de reproduction : Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description : 1 online resource (xv, 588 pages) : illustrations
Détails : Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Responsabilité : Robert Craft.
Plus d’informations :

Résumé :

First published in 1972, this highly-acclaimed biography of one of the century's greatest composers now features nearly twice as many illustrations and one-third more text. Based on Craft's 25-year  Lire la suite...

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Synopsis de l’éditeur

Craft proves again that he is not only compassionate and sometimes wickedly funny, but the most readable and intelligent living writer on music. "--The New Republic"

 
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